The Abba/Puccini syndrome

OK I’m french. My english is a frenglish, it’s rusty and wobbly, et voilà. Try me, though. I’ll do my best. I promise. If sometimes it’s too bad, just laugh at me or roll your eyes.

Wiki says : “A syndrome is a set of medical signs and symptoms that are correlated with each other and, often, with a specific disease.”

The Abba/Puccini syndrome is easy to explain. It’s a misunderstanding. Or a miscomprehension, allez savoir !

Abba was VERY popular, but a whole bunch of people hated them, rockers, indie critics, etc. Today most of the haters are… in a awe, they are embarrassed, they say “OMG they were, in fact, so good”. On every floor : Melodies. Hits. Production. Voices. Modernity. Melancholy. Arrangements.

Abba : I’m a Marionette

Puccini is the most played opera composer in the world. La Bohème, says Wikipedia, “remains one of the most frequently performed operas ever written”. Victim of its own popularity, he’s often seen as the composer of opera “hits”, like Nessun Dorma. And, at many moments, he’s obviously Italian (ce côté éperdu et ensoleillé du Nord de l’Italie). And this HIDES the modernity of his music. Puccini was admired by composers like Schoenberg, Ravel, and Stravinsky. Experiments and strange harmonic progressions colour the fabric of his music. You just have to listen what is “under”, or watch closely his funny way to drive harmony like a racing car :

Beginning of Manon Lescaut

Dial : Some artists can be victims of popularity, but this syndrome is double worse : success hides sophistication.

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