Many photographers are clear. Philip-Lorca diCorcia is not. His photos are staged and planned, and I found this splendid idea on Wikipedia :
His pictures have been described as “Rorschach-like”, since they can have a different interpretation depending on the viewer.
( https://en.wikipedia.org/wiki/Rorschach_test )
Zola said somewhere (about Manet), that behind a work of art he wants to be thinking about the man who did it (therefore the whys and the hows, etc). Isn’t it the case?
Have a nice day?
a french toolbox 