I’m 52 and therefore I grew up with vinyls, LPs, EPs and singles.
I had dozens and dozens LPs. I was listening to music daily. It’s strongly associated in my head with the pleasure of music discoveries.
I remember Talking Heads and King Crimson, Mike Oldfield and Yes, second hand’s Genesis’ Trick of the Tail, the first time I listened to Killing Fields, or Soil Festivities and Mask (Vangelis), or EPs of Kate Bush, Bryan Ferry, Propaganda or Frankie Goes to Hollywood. I remember the singles : AC-DC (Hell’s Bells), Stranglers (Golden Brown), Buggles (Video Killed), The Police (Spirits in the Material World), etc…
I remember, in the end of the eighties, the excitation triggered in music lovers : Compact Disc! A better sound, no more surface noises and clicks and pops, no need to clean them, no needle to brush…
I bought my first one in Germany. It was “the first CD not available in Vinyl” : Brian Eno’s Thursday Afternoon. And for good reason : it was one single track, one hour long!
Since then I never bought any vinyl anymore. Indeed, vinyl became boring for everyone, with all it’s flaws, the dust everywhere, the risky exercise which it to change track (a wrong move and you have a scratch).
I love classical music. 70 mn on a CD is perfect. And a great sound, and… etc. The only regret we all had was… the sleeves.
I hear today about “the return of vinyl”.
Vinyls are beautiful. The sleeves are taller and gorgeous! I know that. And it’s a pleasure to “own” your LP (and the sound IS better than any streaming shit, yep).
I have to say that the main asset of this music listening process is you go back to the idea of listening an “album”, a whole suite of tracks. There’s no “next track” on a turntable!
This, of course, triggers facepalms for many music lovers with a little experience. The “warmer sound”? It’s noisy, with clicks and pops, and it’s dirty all the time, and more :
Analog or digital, it’s just a “recording thing”. In the end : the speaker are vibrating (analog), the air is moving (analog) and your eardrum TOO.
The “warmer and richer” vinyl sound does not even exist. But I do understand one has the idea of it. “Warmer”. Yeah yeah yeah. I suppose that when you grew up with MP3, you find it warmer. Vinyl listening becomes like eating roasted chicken with french fries, plenty of sauce and onions, and carrots and pees, after the MP3 diet : crispbread with nothing on it.
“The LP’s drawbacks include surface noise, less resolution due to a lower Signal to Noise ratio and dynamic range, stereo crosstalk, tracking error, pitch variations and greater sensitivity to handling”.
The return of the vinyl is not real. The market climbs a little, because it’s trendy. I was a vinylseller in 1989, and I can tell you it was fucking something else!
…says the contrary, what I called my Abba shock :
One day I downloaded a HUGE Flac archive of “Abba 24Bit Vinyl Pack” (each album weighed almost a gigabyte – a CD is mastered in 16 Bits, normally). So I began to listen on my expensive Sennheiser headphones a luxurious lossless compression of Vinyl music, digitalized at an splendid rate…. with a slight wow and flutter, some clicks and pops too, and Oh. My. God. It was fantastic!
What’s that paradox? Digitalized vinyl at high rate, without compression (Flac instead of Mp3) gave me an ears orgasm. Nailed.
OK. you won. I give up.
Have a nice day!