Just a little pattern to play with :
Valéry writes about what came, in literature, after Romanticism – example : Baudelaire after Hugo.
That’s this : Movement B comes after Movement A. It comes :
- To distort it
- To bring corrections to it
- To bring contradictions to it
- In the end, to stand in, to take his place
…what we are, what we can, what we want
Amounts of possibles?
- Unexplored domains
- Paths to trace
- Fields to exploit
- Cities to build
- Relations to establish
- Processes to spread
Can B bring exact responses to B? Is B a retaliation to A? Is this answer a energy source in order to gather? What are the desires in play? To be more solid, more clever, more… pure? What is the adolescence of newness? Why is it an advantage? Where are the imprudences, vulnerable spots, the impurities? Wisdom, move, perfection : when (after) do they come? What and where is the loss, when B crystallizes? How do audiences move around these?
Where do we see that? Between personalities? In Art only (fashion, architecture, etc)?
Have a nice day!