American Cinema & Paths for Energy

Hello everyone. I’m reading a J.-B. Thoret book about American Cinema in the 1970s, where he uses a structure, an “interpretative framework” I will extract here for you. Could be useful elsewhere, right?

A little physics first :

Action needs energy, and obviously there are 3 cases :

  1. Perfect symbiosis : the use of the whole disposable energy allows the action to be fulfilled.
  2. More energy than possible action (or no possible action available), gives explosions or violence, uncontrolled bursts, auto-destruction.
  3. Not enough energy : loss, frustration, unfulfillment.

Then we can watch American movies with this idea in mind…

But there are questions already! Where does this “energy” come from? The history of the USA, with violence (Indian wars, Civil war, Vietnam war) and unlimited spaces to discover in the West – giving the energy a way to be “used”? The Freudian “sexual” primal energy?

Let’s find branches – strategies of expenditure… – in movies :

  • After the frontier, when the “go west” comes to an end (the whole territory is mapped), the energy has to go on moving – the birth of road movies (Easy Rider)- or has to be burned on place – the birth of horror movies.
  • The “splendid wilderness” becomes dangerous and full of rednecks and recluses (Easy Rider, Deliverance, Texas Chainsaw Massacre).
  • Too much energy becomes toxic : violence. The explosion is near (the beginning of Bonnie & Clyde, Carrie, Taxi Driver).

If the energy is spent…

  1. In France, in Pierrot le Fou, a character repeats : “What can I do? I don’t know what to do…”. Tired. Qu’est-ce que j’peux faire, j’sais pas quoi faire ?
  2. In America, she could maybe say : “I don’t know what to do any more“. Exhaustion.

Well, this is very simplistic and chaotic, sorry. Just ideas to be thrown on a table.

What about this energy, again? In single persons or in crowds, society? Groups? What about religion, or terrorism? What happens when movie people become conscious of all this and play with it (Mad Max Fury Road, Kill Bill)?

What is the triad (energy action, too much energy, not enough energy) means in Arts? In painting, poetry, photography? What about love? How to link it to Nietzsche’s Will to Power ( https://en.wikipedia.org/wiki/Will_to_power ) ?

http://www.tasteofcinema.com/2014/20-best-new-hollywood-movies/

https://en.wikipedia.org/wiki/New_Hollywood

Thanks for reading!

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