Ze French Coronavirus Chronicles, 5

Ze French Coronavirus Chronicles, 5

There’s one newsletter I follow, more professional, by the MIT, it’s here :

https://forms.technologyreview.com/coronavirus-tech-report/

***

Watched a duo, great movies : The Post (Spielberg – 2017), and All the President’s Men (Pakula – 1976), same newspaper (Washington Post), same executive editor (Ben Bradlee, by Tom Hanks and Jason Robards). Interesting concepts (freedom of the press, sources, decisions, investigation methods), strongly increased by this pleasure : comparison between the films. The bonuses on the Blu-rays are fantastic!

When the pleasure is in the comparison

In a way, the second movie is the following of the first, though it’s been directed 40 years before. I LOVE to couple movies, like Fellini‘s 8 1/2 and Allen‘s Stardust Memories. It can be a remake, or a ‘connected’ film – which is the case here.

***

When I was a teenager I suddenly understood why music was so… pleasantly toxic to me sometimes, with Ennio Morricone or Mike Oldfield for example. I know people love music for different reasons – energy, memories, genre, a voice, virtuosity, lyrics. My reason is the pleasure given by modulations.

I found an article in French, you don’t have to read it, just click on the two YouTube movies. The guy gives examples of typical “Floating Harmonies” invented by John Williams in Harry Potter or Indiana Jones. It’s here : https://compositiondemao.com/harmonies-flottantes/

You have have an… unexpected torsion in the middle of it, before it goes back to normal.

Williams does this all the time, it brings magic to a melody, therefore you can’t forget it. The Vader (The Imperial March) theme is based on this trick :

On this page ( https://www.leandrogardini.com/single-post/2017/02/12/The-Williams-Modulating-Themes ) , watch the Minority Report (first movie). His “Floating Harmonies” decisions make him modulate the melody (at 0’56”, 1’45”, 2,07″).

This makes me think that Morricone and Williams are the best movie music composers. This makes me adore Joni Mitchell, Mike Oldfield, Abba, Röyksopp, or… Puccini!

  1. Modulating Solos : The Pat Metheny Swervy Syndrome
  2. The Strong Liquors of Dissonances
  3. “Pick the Quarter Best”, a Quincy Jones pattern
  4. Passages, Modulations, Transitions
  5. The Abba/Puccini syndrome

Of course I’m interested in… what would be a modulation elsewhere, in poetry or architecture, literature or blogging…

***

So I read that Miles Davis is the Pablo Picasso of Jazz, like Federico Fellini is the Picasso of movie makers. If you’re bored, this is a trio : there’s material here for a couple of months.

***

Agnes Obel, again. In the vast terrible ocean of soft female voices with a piano, she’s with her cousin Vienna Teng. Here she sings with a male voice (which is herself with treatments), it’s delicate and sophisticated, and I love the mysterious lyrics…

Hmm, there are floating harmonies here, right?

For our love is a ghost that the others can’t see

***

My godfather passed on this week. It is a mess for the funeral (only 20 persons allowed). He was in his nineties, and he sometimes talked to me about when he was a kid when Germans occupied his village, the coming of the Americans after the D-Day in the summer of 1944. My father was an orphan when he was a little boy, and Ernest was next to him for years to help…

He’s the guy on the bike :

Capture d’écran 2020-03-26 à 10.06.56.png

Thanks for reading! Stay inside!

JP

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