This little article is about the fact that between two artists you often choose the “obvious” one, but sometimes you come back to the choice and pick up the other one, because… Let’s see.
When I was 30 I watched Fellini‘s movies in awe, with a smile, and a question mark above my head. He looked like a clever silly artist, full of exaggerations and weird images, cf Satyricon. And I also watched Antonioni‘s movies, like Eclisse. This guy seemed much more serious, full of clever questions about incommunicability in couples and deep thoughts about the sense of life.
More than 20 years later, I still adore Antonioni and I often watch his movies, but I prefer, by far, Fellini today. I explored his worlds, read a lot about his work, analysis, and interviews, and I realized the… richness of all of it. The baroque, the myths, the fragmented aspects of reality. It’s vast, clever, sensitive…
So, I see the “obvious” choice in many things, today. Because we change and we age, of course, we go deeper. We understand deeper the idea of efforts, which lead to extensive discoveries.
I have another example with the double-headed Beatles, Paul McCartney and John Lennon. I read a lot about them, I listened and dismantle their music. And of course, I preferred Lennon! He’s stronger, takes more risk, he’s the fool who wrote the Walrus (while McCartney wrote Yesterday). Lennon is spicy, Macca is sweet. Voilà.
But the more you dig, you realize that McCartney is stronger, is a better musician. He wrote Chaos and Creation in the Backyard, which is a splendid masterpiece, very quietly though.
So I always loved Brahms, who is strong, heavy, very Taurus, with earthian symphonies and concertos, and I didn’t like Schubert, whose music is closer to Mozart. But today Schubert’s Great is unreachable. I eventually found out the nuggets, the colors, the subtleties in this…
The structure here is simple:
We often have choices between similar things. One seems obvious, and we choose this one. But sometimes we reconsider things and we bend over the other one, to find out that its treasures were maybe hidden, too subtle, or complex/difficult. It’s a tango!
What are your examples?
Thanks for reading!