Dunkirk as a MAYA & Strangeization sensorial experience

I remember a scene from this movie, Sex, Lies and Videotapes, which won a Palme d’Or at the 1989 Cannes Film Festival. It was just a dialog between two characters, with a strange sound behind.

One would wonder what was this sound made of. Construction workers in the street behind the closed window, or abstract clinking soundtrack? It was disturbing, diverting and rerouting the whole scene : the dialog, the mood, the meaning of it. And thus… I never forgot it!

 

Yesterday I watched Dunkirk, the 2017 Christopher Nolan war film. Wiki says that the audio mixing team only was made of eight people!

One friend warned it to me before : the film puts you in a stress mode because of the SOUND. The music, textures, sound effects (including the fascinating Shepard_tone – which is an auditory illusion) are different. The stories (we follow three wires : on sea, in air, on earth) are kaleidoscoping. The movie sounds (helmet communication in planes, bullets impacts, bombs) are realistic (therefore you never hear them like that – excepted in Private Ryan). All this build a strong and effective symphony of war and survival. With oddness.

What’s the tool, dear?

STRANGEIZATION

I wrote this article a long time ago to explain strangeization :

Strangeization Tool & Eyebrow Criteria

“Distort some elements to catch back the interest of the audience”

Have a strange punctuation. Use inappropriate music. Add dissonances. The purpose is manipulation, here.

  1. An attentive viewer will have fun.
  2. An inattentive viewer will get your elbowpoke : “Hey, look, it’s different!”. Then he’s dropped into category one!

 

MAYA : most-advanced-yet-acceptable/ …is the secret for success with strangeization. Disturb, but not too much, or you’ll lose your public with avant-garde nausea.

MAYA is here like the restraining operator of Strangeization

Why not using it today? Where? Poetry or Photography? What else?

Have a nice day!

maxresdefault.jpg

PS : I would love to add this : My father’s father died in this war. And his grandfather in WWI. He didn’t remember his father, his voice, nothing. Just a coffin. He was too little. In a way, I’ve the consequences of 39-45 in my flesh. And I remember his emotion when he told me about the tall American soldier who jumped from a tank and gave him a chewing-gum tablet. He was a little boy. You guys saved our asses. Thank you.

Advertisements

Pokemon Power & Building Ways Out : Chronicle 23

Le plaisir littéraire n’est pas d’exprimer sa pensée
tant que de trouver ce qu’on n’attendait pas de soi.
Paul Valéry

 

I really don’t know how to translate this. It’d be : “The literary pleasure is not to express your thought but to find what you didn’t expect from yourself“. Satisfactory idea, no?

mu9

Pokemon (Pocket Monsters) is a media franchise managed by a Japanese consortium between Nintendo and others.

Yesterday in the store I work in, I saw a kid who bought for $70 of Pokemon cards. His papa had his credit card, that’s pretty cool! I said to the boy, who was smiling holding his ten little packs : “Will you open them like… one each day?”. “Nooooo : some cards have POWER, you know!”.

Power!

Two students asked for “Discourse on Voluntary Servitude” a few minutes later. Which, I told the girls, is about how to be free or how to be submissive and obey.

Who is powerful here? Nintendo, the Pokemons, the kid, the father? Where is the power “acting” IRL?

Will the kid buy Pokemon ring binders at 35 years old, like many adults I see? Therefore what? At the Pokemon marketing (cattle displacement) time, will your son chase Pokemons, or will he find anything else, by himself, out of the obedience area?

mu9

It’s been Thanksgiving. Have you been grateful? To…?

mu9

To build ways out.

mu9

Ulysses resisted the song of the Sirens by having his ship’s crew tie him up, because their singing is so beautiful that it drives men mad.

He heard. The song was beautiful, and it offered “new knowledge about the world”. Well, I think so!

Céder aux chants des sirènes, we say in French : yield to the Sirens’ songs. It’s not “to succumb” (which is you lost), it “to yield to” (which is you decide to lose and let go).

In mythology, sirens are women-fish or women-birds (see the vase)…

This classic image of the guy tied to the mast because he wants to hear something dangerous is like an itching metaphor, don’t you think? Where could we apply that?

When do you “go even if you know it’s a mess”, and how to you protect yourself, then?

 

Ulysses_and_the_Sirens_by_H.J._Draperxxl

 

mu9

To drive is to ignore plenty of things. There a great article about what is attention on Wikipedia : https://en.wikipedia.org/wiki/Attention

It’s worth an article but I’m lazy. Nevertheless : I will explore this a little, later.

mu9

In France, some guys were chasing Pokemons in cemeteries with their phones – or in people’s properties and gardens. What does that “mean”?

You don’t understand : some Pokemons have powers, they are RARE. You’ll never understand, right?

Nope.

mu9

Bazin says that The Complex of Nero is when you have pleasure in the sight of urban destruction.

mu9

There are two kinds of movies, those who shows, those who tells.

In Ryan’s Daughter, a husband is walking in a quiet sunny morning on a seashore. He smiles because he noticed steps in the sand, the steps of his wife. He knows she had a walk there. He follows the path. And he sees another set of steps, of a man of course, getting to the path, reaching her. Now it’s two pairs of shoes. This “feetprint” turns around a huge rock on the sand, and shows that they stopped behind it.

For a kiss

Here, two events are showed at the same time, without a single word. 1/The new romance, and 2/the discovery of the now broken hearted husband. On the image, you see what the spouse guesses…

Do you prefer this, or hear him crying on a chair telling a friend what he discovered?

Show, or tell?

 

Thanks for reading!

 

Ryans_daughter_1970.jpg

a-david-lean-ryans-daughter-robert-mitchum-sarah-miles-dvd-pdvd_016-1.jpg

vlcsnap-175058.png

“Ways of hiding intentions”, the Humor example

I read an interview of François Damien, a Belgian actor who just directed his first movie, a comedy. He talked about the editing process, saying he was afraid of comedies, in which each part “has to be funny”, which is boring and dangerous.

He said, therefore, that each time he felt “a will to make people laugh”, he cuts the sequence, then concluding with this : “Humor must be an accident. Thus even you build it, you have to build it like an accident”.

You can also read :

Intention of effect kills effect

I do agree with him. When the audience notices you “want” to make them laugh, most of them won’t! Or maybe they do, if they’re polite, haha…

Tool :

What does that mean? That humor is like elegance (don’t show off, make it a feeling)? How will you do to “not show” you’re preparing something? A sudden thing (the accident type)? Something climbing under? A complexity, detected only by smart brains (and then you put your audience in your pocket)? What else? What’s the speed dial, in humor?

Have a nice day!

1382249823431938055_259996796.jpg

 

 

 

Logan, Arthur and Motoko

I am a movie lover, un “cinéphile“. I read a lot about movies. I own thousands of DVDs and Blu-rays. I love Orson Welles, John Ford and Elia Kazan. I love Losey, Bergman and Miyazaki. I BUY movies. I’m able to spend a year to explore 1961 in cinema history (yes there’s a Wikipedia page for that). I’m able to watch all Tennessee Williams movies adaptations in a month, just for the extraordinary pleasure of… oh forget it.

But I download them too. A lot. I watch, and if I like I buy. I’m old school. I don’t have Netflix nor an Apple TV. I want the discs, the bonuses, the sleeves. Les galettes : the “epiphany cakes” (yesss we say that, for movie discs). Makes sense, right?

It’s August, so I found many American mainstream movies to download. Fast and Furious number 39 (or whatever), or Alien Covenant (I wanted to watch is again, because it’s a bad, wrong movie, but also because of Scott, Giger/Böcklin, the “two notes flute in the echo” music, and the stress before the shuttle explosion).

By the way, I wrote to the actress behind the voice of Mother, in Covenant. Great work!

I left 3 movies on the side, because I was sure it was shit.

Logan, King Arthur and Ghost in the Shell. All of them had bad trailers. Logan smelled “I want to end this character violently”. Arthur really smelled like duck-billed platypus shit. And watching Scarlett Johansson exploding a window 6541 times in slow motion on Facebook was enough to keep me away from it (talk about bad e-marketing -> another article).

All of them took me by surprise.

But beware : I’m NOT talking about Kitano’s Hana Bi or Lean’s Ryan’s Daughter (I can’t wait to find these in Blu-ray). Don’t even talk about Heaven’s Gate, Single Man or Fanny & Alexander (I have the Blu-rays, thank you). I’m writing here about mainstream movies, to eat with popcorn and have fun with.

Logan surprised me because it was more violent, tragic, or let’s say “less stupid” than some other X-Men I watched (I watched them all). I like these superheroes movies, but here I was surprised and wondered about the audience targeted by it. So what : Adult geeks? I don’t know, but I loved it. The Wolverine girl, Xavier in his chair, powerful but dying, the cross-to-X at the end, it awed me.

I was really ready to laugh sarcastically at Arthur. But Ritchie made Snatch and the Sherlocks, and I loved U.N.C.L.E., so I tried… And I found it brilliant! Smart and fast, funny at times (I LOVE when Ritchie plays with dialogs/possible scene, like when Sherlock Holmes will fight), and so powerful (ohhh Excalibur). A good evil character (hello Jude Law), a mage… A good one!

I will forgive everything to Jude Law since he played in My Blueberry Nights.

Ghost in the Shell climbed greatfully towards the spider-tank scene (I own the anime movie, and I needed to know what they’ll do with the tank). The face to face with mother ending crushed me. The sound is great. Kitano is perfect. Binoche is fantastic (strong, fragile, alive). What a great surprise!

Well, I’m thankful. I read today something like “Even if it’s bad, it’s OK if it’s made with the heart” – I don’t remember where : Gide or Valéry? All of them were made with some heart.

Then I wonder how to blog about Logan : what are and what could be other branches in the almost totally kryptonitelic ridiculous tree of Superhero Movies? About Arthur : what’s the drive in Ritchie : a casualness, a “I allow everything, shut up” energy? About Ghost in the Shell : how to make a robot alive? How to adapt a fucking Japanese cartoon with elegance? How to convince Scarlett Johannsson to play that?

 

After all this, you will ALWAYS need to clear your spirit from special effects, Excalibur’s devastation, jumping in an invisible electronic device, or fake claws. I suggest an Ingmar Bergman’s movie : Winter Light. Or just one quote of this movie instead :

“God does not speak because there is no God. You should learn how to love, instead of praying”.

Thanks for reading!

IMG_20170815_192835_400.jpg

 

 

 

 

Babette’s Feast, a Frenchization

In a remote 19th-century Danish village, two sisters lead a rigid life centered around their father, the local minister, and their church. They take in French refugee, Babette Hersant, who agrees to work as their servant. After winning the lottery, Babette wants to repay the sisters for their kindness and offers to cook a French meal for them and their friends on the 100th anniversary of their father’s birth. It proves to be an eye-opening experience for everyone.

As they say, Babette’s Feast is “still the gold standard of food movies”. I use it here because I find it’s a good example of… well… the reasons why people love the French – when they do 🙂

Babette is the perfect example of the Intruder/Revealer type. She disturbs a system, here a rigid grey life, with her “way of being”, which is here the love of food, et la gourmandise.

Nothing is the same after her…

Gourmandise is the French word for “love of good food”. I think you don’t have this word in English, which is maybe cultural (Mayflower spirit?). It’s like a positive, smiling way to talk about… greed. Yum!

On this pattern, there’s another movie, with Juliette Binoche and Johnny Depp : Chocolat.

I agree : this spirit can be a bit disturbing for obedient Anglo-Saxons. Each time I’ve been in France with an American friend, this person was like amazed (in many ways : surprised, annoyed, afraid) about our freedom, our “not following the rules that much” ways, our casualness, our inefficiency too – and the food. The food, always, and again.

Here (like in other countries like Italy), c’est un Art de vivre, an Art of living. And we fight for that! Many of our cheeses are and will stay forbidden in America : not “safe” enough, not enough disinfected, sanitized…

Here I pity the French who live in America : they’re all missing… the cheese! And also, I will now search for “cultural differences movies”, where Anglo-Saxon’s culture irrigate our exhausting Frenchiness.

 

Tool : what from other country’s culture thing do you need in your job, in your life? What if you ask a Japanese expert about your company? What for? Where are the axis of progress?

Have a nice day!

OK, here’s a little Camembert to say goodbye.

le-camembert-coulant-au-thym-et-au-miel_187304_w620.jpg

 

 

20275758-1

 

Crime Novels are boring, Mr Whodidit, so what?

Crime Novels are boring, because there’s a murder or many murders (boring), a policeman or an investigator (boring), and at the end, we’re told who did it (boring).

There’s a trick I wrote about : read the end. Now you know Mr Whodidit, then read the book normally, and have fun with all the tricks the author uses to mislead you.

Well, writers have many levers to move, and they do it. Why? To debore the bored reader, right?

  • Show who did it at the beginning (Columbo)
  • Two investigators or more
  • More violence, or comedy
  • Change rhythm : get slow, or hysterical
  • Weird detective (Twin Peaks)
  • More scientific, political, etc (find a field)
  • Research in a foreign place or country
  • Trick (Silence of the Lambs : a killer helps to find a killer, haha)
  • More estheticism, more complexity (Blow Up)
  • Disappearance of an element (no body, no murder, no detective, no solution, etc)

Each attempts seems boring to me, but sometimes is works, Okeyyy. That’s the purpose (and the dial of this article) in poetry, advertising, photography, writing, etc :

How do you recover a bored audience?

Thanks for reading!

JP

1171881777330480303_40270600.jpg

 

 

#Antonioni #quote

We know that behind every image revealed there is another image more faithful to reality, and in the back of that image there is another, and yet another behind the last one, and so on, up to the true image of that absolute, mysterious reality that no one will ever see.

Michelangelo Antonioni

9970_1_large.jpg