“I chose you for your weaknesses” – #Pina

Aurélie Dupont is a well known French ballet dancer who performed with the Paris Opera Ballet as an Étoile. She is now the director of dance for the Paris Opera Ballet.

 

In an interview she says that in one day, as she was working under the direction of Pina Bausch, the German choreographer told her :

“Okay, you’re a very tough woman, you’re a very tough dancer, but I’m sure you’re very sensitive, and that’s why I chose you, and I want you to show me this. Because your strength, your force—I don’t care. I want to see your heart.”

Aurélie shortened it for the magazine’s interview :

“Do you know why I chose you? For your weaknesses. This is what I want to see of you”.

Oh my, this is a good seed, right?

 

The main question is :

What is the balance, in Pina’s brain, between

  1. I really want to see her weaknesses
  2. I have to say this to her, as a coach, to crack her toughness as an ambitious dancer.

 

This leads to another set of questions :

What is this state, when you’re almost at the point “to discover yourself”? What do you need, then? Another person? An accident, something which stops you until you discover your last step? A sentence you read somewhere, or hear? A friend? A surprise?

When you’re tough, hard with yourself, with the goal to be flawless, why do you always meet a point where you realize it’s a wrong way up?

Why do I always go back to this pattern, which is : when you’re stuck, your next path is maybe to find and develop ANOTHER FACET of you, which is often the contrary of you?

 

Mme Dupont was tough and very good. But Pina revealed something to her : you’re great, but now show us that you’re weak too, that you have a heart under your perfection.

 

Thanks for reading!

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Instagram : __bodylanguage__

 

 

 

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Your Field : Topology & Radars

What’s your field? You’re a CEO? A poet? A photographer? A blogger? A cook? What do you do, what do you explore, what is your field, your… territory?

You probably like to “Think about your art”, where things are not that obvious. A map is not the territory, but it helps you : “A model is a lie that helps you see the truth”. Why would you study your own field? Make progress? Extend your possibilities? Detect dangers or mistakes? You feel stuck? Going too fast? Other reasons?

Do you think about your art when you’re working on it, or after? Alone or with another person? What happens?

You can also read :

When you work, what radars should you use? What model? Do you draw? Do you imagine? In fact, it’s a good opportunity to use topologic or other fields vocabulary, and tools…

  • If you dig, what is a lode? How do you find it? What do you do with it?
  • What if you were stuck in the narrow neck of an hourglass? What does that mean? Do you have to wait? To push?
  • If you find grains and rocks, are there a pain, a chance, a luck?
  • What could be a compass, in your field? A magnifying glass?

Other ideas of tools to use to study your own activity?

Take these jobs : clockmaker, a topology specialist, a miner, a gold digger, an entomologist. List their tools, their concepts. Then apply on your field. How do they use it? What happens? A nugget? A change? A new map? Vectors? Paths?

 

Thanks for reading!

 

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The power of questions & the strength of possibilities

The power of questions is the power of intriguing you.

Some questions don’t even need answers, but have the power to move your brain, to make it invent. Invent concepts, ways, doors, solutions, views…

Questions are events (because where you live, there is no florescence of questions). Questions are interesting, they can also be disturbing, or funny.

You can make the decision to let yourself be driven, or be pushed around by the power of questions.

Questions trigger movements in your brain, movements of dance, of dodging, or even swerving. Smile!

Questions secrete glowing happy interesting fog-patches of possibilities around you.

Maybe questions can meet… your own questions. Maybe they help you to ask some more questions to your partner, or… to yourself : to be surprised, to discover the strength of possibilities.

Sorry, I’m French, and if my quirky English tickles you, my bad.

Tool : Invention. Events. Decisions. Movements. Possibilities. Questions are powerful. Ask, or be asked? Both! Dolphins are fast and elegant, they seek this dance.

Merci !

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Arthur Rimbaud & Glenn Gould : The “Big Less” Temptation

Rimbaud was a French poet who had a huge influence on Arts and Literature, but stopped writing at 21. He became a merchant, mostly in Africa (in coffee trading, for example!), and died at 37.

Gould was a Canadian pianist who stopped giving concerts at the age of 31 and became an eccentric hermit in recording studios.

Different destinies, but a similar pattern : at one moment, they stopped completely something they succeeding in, they closed a door.

Rimbaud stopped writing. Many wondered why : The artist had said everything? He wanted to explore another face of his personality? He had a secret wound? Dead wordsourcespring?
Gould didn’t stop making music, but never came back playing in concert, and he explained himself about that.

I write this because I wonder if sometimes we should consider a similar flip. A combination of levers & dials, studying what’s good in our life, considering that insisting (even in different ways) could be, from now, a failure : it’s maybe time for a closure?…

 

The Big Less is about considering to close a part of you which… works. Why would you do that, like “I park it”? Why would you stop what works? You feel you miss something? It’s too easy? You reached a plateau? I works but the wrong way? You lost a goal? You need to experiment to enrich? Fresh air? You need to get smaller to go faster? A fresh start to go elsewhere? You’re afraid of some ticking-over routine? Is it a bad idea? Why?

And who knows what will happen after some years? Maybe you’ll realize you needed the big disturbance of it? Maybe a bigger room will open? A secret path will appear? Maybe you’ll make good Bach records, or trade coffee?

Have a nice day!

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Ears & Belly Button : The Roots of STRESS

You are stressed, that’s awful, because of your job, your family, your manager, something you read, anything. Stress! Help!

One day you are so stressed out that you begin to search the entrance. I mean… If you are stressed, the stress probably enters, penetrates, comes INTO you, right?

By the ears? Nope. Your belly button, maybe? Nahhhh!…

How does it work?

Well… It works. Until you realize :

YOU make stress. Your own BRAIN builds, makes, produces, manufactures stress.

Bummer and crap!

Happily, the day you understand that you become a Master Zen.

A stressful phrase, guy, situtation or event appears in front of you, and, how magic! : you don’t secrete stress, you just DON’T.

(well, you can stress if the werewolf is chasing you in the night, Okey)

You could swallow this little quote from Krishnamurti, then :

OBSERVE WITHOUT ANY CONCLUSION

This is a good secret.

Things appears, shit happens (or hits the fan, as you say, I like this joyful idiom), people around you are NOT steady, they are alive and surprising. Watch, don’t stress, be calm, dance. Amor Fati!

Thanks for reading!

PS : You know what a werewolf is, right? So, as a French ESL, can I invent other “weres”? Like a weresheep or a wereswan, a weregrasshopper or a wereguineapig?

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“What are amulets?” – Don’t expect salvation from an external principle

What are talimans, amulets? Don’t expect salvation from an external principle

This intriguing assertion comes from Friedrich Georg Jünger, Ernst Jünger’s brother. It’s like a warning against a useless tool.

And apart from medical issues maybe, I like to keep it in mind. If you want to stop smoking for example, you can use patches or pills or therapy or whatever, but the solution comes from you : discipline. The rest is nothing. You’re in charge. Take care.

Thanks for reading!

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“Biases to Pieces” – when life goes wrong, do something unusual – #change

When something goes wrong in our lives, we try to find solutions, we meet people or therapists, we try to entertain, we read, we think, we cry, et cetera.

There’s also this oblique tool : do something unusual. Change something, hair, paths, house, habits, anything. Dare, and be a little more casual. Breathe a new air, open unusual windows. This is a beginning. It can work, or not. So what?

If you know how to wait, your “charge” will inflate up until you’ll explode into a solution. This is where you will be able to say afterwards : “I can’t even recognize my own soul”, which is another way to say “What did I do?”. So what??

Whatever! : change was urgent, and needed.

Tools :

Stay on you horse, let go the reins, and go faster. Let the horse choose.

Your need to be disturbed is there, and it’s HUGE. Try disturbing paths. Push unknown doors. Walk forward in unknown places and ways.

Do the contrary. Love the guy you don’t love. Choose the opposite. Say no to your yesses and yes to your nos. Try random. Be crazy. Quit. Don’t explain. Shut up and move. Search for your fears and attack them. Slam the door to reason’s face and listen to your guts. Find your wolf inside (or your dark parrot). Take your biases to pieces. Burn your bridges. Or not. Or for a moment. Step inside, step back, breathe back home. Push nugget-risks inside the grey. Find your explosives. Use them where you never did. Bam.

Merci ! Thanks for reading!

 

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