How to go back to quiet silent daydreaming summers ?

When I was a teenager, let’s say in 1981, there were 3 channels on French TV (TF1, Antenne 2 et France 3). Music was on some LPs, and there was no Internet, no Pokemon Go, no cellphone. Some rare rich fathers had an Apple II. The Sinclair ZX-81 was just showing its nose…

Useless to say that when you got something “interesting” into your hands, it was amazing.

I remember that summer ! I was 15, and I got this Casio Programmable Calculator FX-702P, and I asked my parents to order a few L’Ordinateur de Poche, a magazine about these new “Pocket Computers”.

I read them, re-read them, tried every Basic program, and spent weeks trying to program a standard Battleship – not the game, just a way to “place the boats” (one the size of 4 squares, two 3 squares, three 2 squares and four 1 square – the submarines !). The memory of my Casio was too small so I had think about a way to optimize it (interlacing 2 loops, etc).

This summer I borrowed some LPs. The Blue Beatles sampler, with the lyrics, kept me busy for weeks.

I remember me as a kid watching clouds for hours in summers. La rêverie is a pretty good French word for daydreaming (we could say “dreamery”, right ?). Getting bored, at this time, at this age, was triggering imagination instead of Netflix…

Slumber or Torpor ? I think I didn’t find the good english word to translate our “torpeur”. When the sun is brûlant, days are long and quiet, tout est calme et you don’t have any mission or money to make/win. You watch clouds and just try to be happy. You play frisbee, you watch ants, you bike with friends. Les merveilleux nuages…

Lever : You really can find back this state. You just have to cut THREE things : TV, Smartphone, and Internet. Nothing much after all…

Then you will have to search in the old “real” world (books, things in attics, CDs and LPs). This provides a bouquet of another things : a slower focused brain rhythm, a hunger, a desire to create maybe, some imagination, some creativity.

It can also trigger a big boredom too. Well… C’est la vie !

 

#casio #vintage #fx702p #calculator
#casio #vintage #fx702p #calculator
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Sick Songs of Abba & Bee Gees

Every pop music lover knows Abba & Bee Gees. Long careers, huge success, big hits, etc.

You don’t need to be a big connaisseur to notice something special about them. Behind the good music and arrangements, you can feel some melancholy. It’s maybe their secret after all ?

And sometimes some sickness too. Some nastiness maybe ? (I wanted to say “meaniness” but it does not seem to be english…).

I like to find a lever pushed a little too far in this kind of mainstream pop-music. A quiet-disturbing element, a new harsh sound, a instrumental bridge… weirdly made.

Take the first 20 seconds of Abba’s Gimme Gimme Gimme, listen loud, and admit you’ve never heard that :

Gimme Gimme Gimme

If you go from 02:50 to 3:40 in the same track, you realise that you have a mean bizarre robotic synthetic loop, before a feverish orchestra and some haunted voices… Not that common in pop music !

Bee Gee’s Liar is similar… Every line is like weirdoed by strange harmonies, risky notes, and so within a clear disco structure you’ve got a… sick piece of song, like a dark ill version of their music.

Liar

Lever : How could we call it ? You have a project, a painting, a music, a concept, and you think you’re lost, too comfortable. Take a lever, push it too far. Go 130%. Go mean, tensed, unappropriate, whatever. Add too much pepper in your soup. OK, let’s call it Lever-130.

#sky #sun #architecture #clouds
#sky #sun #architecture #clouds

 

Moods and synthesizers in movie soundtracks

OK I’m french. My english is a frenglish, it’s rusty and wobbly, et voilà. Try me, though. I’ll do my best. I promise. If sometimes it’s too bad, just laugh at me or roll your eyes.

When you think “synthesizers in movie soundtracks”, here’s Blade Runner. Vangelis’ music is a masterpiece. This will never move. This movie is a milestone.

But there’s a whole problem with bad eighties synth scores.

What surprised me recently is this :

1-Within the eighties, it was OK.

2-After the eighties, it was (very often) ridiculous.

3-Today, it’s OK back (sorry to say it this way, I’m french). Sometimes.

Try this with American Gigolo (Paul Schrader)

Try this with Apocalypse Now (F. F. Coppola)

Try this with Thief (Michael Mann)

Maybe it’s personal. My perception of the music in the movie, altered by age, the distance of movies.

Maybe it’s nostalgia : the happy Sixties are charming, the hippie/disco Seventies are charming, and now probably that the Eighties are bearably charming too, with all this plastic fluo Buggles OMD snap.

The only secret of Daft Punk recent huge success is here : Finding back the flat comfortable disco beat who made Saturday Night Fever a neverending success. Remember Midnight Express ? Cerrone, maybe ?

Maybe it’s an eternal loop. OK/bad/OK/bad/OK. Depends on the sound of the moment.

Dial :

If what you make has the purpose to stick to the now, forget all this, you don’t care.

If you want to last, you have to realise that what you’re doing today will peut-être be a big pile of merdrrre in ten years, and (maybe) it will be re-discovered in twenty years. Then, you’ll be rich like a pacha.

Maybe.

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