Blurred Blurry Instagram Photography

A blurry photography is a mistake, right? Unfocused, spoiled, this is for the trash. And of course you make it on purpose… so there!

The whole photography doesn’t have to be blurry – watch the face in the middle of the nibbled leaf, photo 3, and try to guess what is behind the in line droplets on photo 5.

Make it so blurry you don’t even know what it’s about : you are in abstraction, then. Hashtag according, then season your recipe.

When you blur “a place“, a room, trees, details are lost and hidden, therefore the mood only remains. Persistence of the air, the light, the colors only. Makes your photo more like a painting, maybe : less words, more atmosphere. So what?

Tool : What happens with this concept (“blur it on purpose”) in YOUR field? In poetry, what is to be blurry? In painting, art, music? What about other territories? In communication, marketing, advertising, theater, even cooking?

Thanks for reading/watching! My Instagram is jprobocat. No they are not all like these. Have fun!

Jean-Pascal

 

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“Add some light in places”, or why to intellectualize will never kill the magic!

This is an old pattern many people use, like an old, useless dusty tool. This one says something like :

In front of beauty, don’t intellectualize too much or else you’ll lose the magic

 

In sex, art, photography, any place where magic is found, of course we can say that wizardry exists because it unfolds out of the words’s limitations.

Even in fields like poetry or novels (where words are used), able to catch you with style and stories, and bring you in the domain of dreams.

And I’m the first to tell – and repeat – here in this blog, that it is wise to stay out of words, these weak labels, in many articles about how photographers or painters don’t like to explain, etc.

In front of beauty, don’t intellectualize too much or else you’ll lose the magic

Peel and decorticate magic, and you kill the goose (with the golden eggs, etc).

Well : Okey!

I’d add this word : BUT. Or this word : ALSO.

But, also, and nevertheless, there are days you wanna do it.

Analyze the magic of a novel. Dissect a music track. Have a precise conversation about sex. Use the pause button on your remote control to understand how a scene is edited. Read articles about masterpieces, and prefaces of old classics. Stop eating this delicious meal and try to find how it’s been cooked. Wonder how your love story is evolving…

This IS what intellectualizing is, it brings knowledge, shows you new paths, increases your intelligence, draws new maps, enlightens your universe, gives you more energy to explore, to dive deeper the next time you’ll plunge into your next “not thinking too much” moments…

Do you really think it “kills the magic”?

What if it rather adds some light in places?

Thanks for reading!

 

#layers
#layers

Poumeyrol, French painter

Jean-Marie Poumeyrol was born in 1946. This French painter is said to be a “fantastic realist” (which probably must makes him smile). Symbols. Erotica. Lands. Boats…

I like him a lot for a couple or reasons : it’s gorgeous, but also enigmatic. Some paintings are like… games, riddles. You need time to see things, guess what’s happening (whose shoes are they, in the first picture?), etc…

But as usual with great artists, photographers, poets, painters : words are very, very weak to explain. So :

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Gleanpickupping seeds & tools in a Gidon Kremer interview

In a French grey morning of August, I’ve had my coffee with two good slices of brioche, frame window staring, in front of an ominous sky, at the cut out moving trees in the wind, shhhh.

Mind wandering…

According to your job, your availability, your passions, you have different way of “entering contact with reality” :

  • A photographer type will watch around him with the “Can I take a picture here, when, from where?”.
  • A musician type will analyze some new song he hears, decorticating it like an alarm-clock.
  • A poet type will find a good word in a book then might begin to weave a poem in his head.
  • The climber type will watch these city walls… etc…

You… just have to put your “mode on” (and YES, you can have many “modes on” ready in your head, haeccity oblige).

 

I read an interesting interview of Gidon Kremer, violonist, in a classical music magazine. I read this interview with two modes on.

  1. First was : “Find maybe some music to listen to” (I found Schumann, Weinberg, Arvo Pärt, and a Prokofiev melody)…
  2. The other one was my blogger mode : “What little structure, what tool, what tropism can I find in his interview?”.

 

So, well, I learned things about Gidon Kremer himself, his friends, career, evolutions, wonders, etc. He’s an interesting person, the typical clever artist (for me he’s a cousin of Bill Bruford, the drummer).

Eventually, my second “mode on” found quotes, wonders, seeds to plant (here or there) and to meditate on :

  • We live a physical house, but also in some spiritual homes, other “places” we belong to.
  • Playing very few notes is more difficult than pure virtuosity.
  • When you find difficult to play or understand something, you maybe need to find parallel structures in other artists or situations : comparison enrichment.
  • You can explore a field (movies, music) with artists, eras, but also labels or studios, producers, etc. Let’s write something about ECM.
  • Should an artist listen or study what he did in his past? (Kremer never listens what he recorded in previous years).
  • When an artist collaborates, there’s a need of “mutual listening”.
  • Sometimes we miss something. Friends around us indicate things or persons but we don’t listen – when we maybe should.
  • Then and therefore : what is to catch up? How do we? What is “to redeem”, how?
  • “Seeking perfection is the enemy of beauty”

 

Etc etc. I found a few more. Whatever. Each line is a door to a new room, which is full of questions. How to drive “mutual listening”? What becomes virtuosity with very little notes to play? Where the frontier to find between catching up and letting go? Etc…

I found this too : when you have one or many “modes of exploration”, it becomes difficult sometimes to be in direct contact. You ALWAYS have a filter on, and that can be exhausting!

We have to find back a way to quit our introvert-analyzer inner computer to… touch things. I suppose it’s what great artists can do, having the great ability to move it like a lever, a slider, from 0 to 100%, from “I know this without any words” to “Analyze and peel it off to understand it”. Where is yours?

 

Thanks for reading!

 

To write this article, I needed music. I chose Weinberg by Kremer – of course. The YouTube link is under the sleeve, downstairs :

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Follow Fallow & Charging Up, the other way of non-blogging…

There’s a type of weapon in different video games like Marathon from Bungie or even one of the first Star Wars game : Dark Forces.

This “pistol”, phaser, whatever, is empty. You have to pull the trigger, then you hear it CHARGING : PiiiuuuUUUU – you have to wait – when it’s ready, there’s a little light showing and you can shoot. Bang! (or PEWW!).

L’idée of pushing on something to charge up it until it’s “ready” is a pattern, a tool. Call it a structure if you want.

In special intercoursing inbedweekends, a smart lover is able to keep his partner on a high plateau for hours. He watches her closely, he charges her up – not constantly, but regularly – never reaching the explosion. When things become serious, she’s like a planet of high energy, ready to reach the stars…

OK let’s back to business! :

There are two ways of non-blogging.

  1. You need sometimes to stop writing, that’s it. Most of the time, it’s because your mind is busy elsewhere : you’re sick, you fall in love, you’re out of good ideas, your gas tank is empty and your car stopped. This is really no big deal. You’ll find it back. Keep a white fragile string linked to it, ready to pull. It’ll come, you know…
  2. The other way is… because you “charge up”. You stop blogging, but you feel that your brain stays “on” : you read, you think, you gather ideas, you write many drafts, you keep working! It’s about seeds, and energy. It’s not empty waiting : you write a paragraph or two, then you go to another draft, etc. It’s like the pistol in the games. Your don’t post, because your writing skills are charging up!

 

This little dial is interesting to find, then to watch. What, in your life, in your job, in your creativity, is charging up? How is it weaved with waiting? Can you work on something else while you do?

OK, now the pistol is charged, green lighted, ready to shoot. After a couple of days (weeks?) of non-blogging, here you are, looking like a sphere of pulsing magic energy : now you’re ready to post five articles a day. Ain’t it too much, silly?

Bahhh nope. Your followers will deal with your sudden generosity, don’t worry…

Thanks for reading!

 

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Unusual Stratums & Facets

Yesterday a friend told he liked to watch Boulevard du Palais, a French crime TV series.

Unlike his smart wife, he told me, he never really understands what it’s all about with the complex story, many characters, dead bodies and interlocked investigations – which seemed to be boring to him. He said he loved it because of the detective – the actor, and the way this man was performing.

This idea itself is a perfect seed to think about what is entertainment, an audience, an actor, etc…

As usual, it’s a bunch of questions :

Artists

  • Are you aware of all the facets which could be loved in your work?
  • What if you decided to focus on an unusual one?
  • What if the “main thing” (in a crime novel : the story) was a fancy dress to reach the audience with another stick?
  • You’re, for example, staging a theater play, or rehearsing a symphony. Could you write the most complete list of elements you work on? Then imagine one person in the auditorium focussing on an unusual one? If you do that, what do you learn? What do you lose? So what?

Audience

  • If you dislike a piece of Art (music, movie, poetry, etc), did you look for the right door to enter it? Is it worth it? Any clue?
  • Do you have to find your own casual way to explore something? The bass only in music, the light only in a movie, the style in a crime novel?
  • If you can have pleasure with an element only, why wouldn’t you imagine to “read” impossible things for you, just to find YOUR way, your facet – letting got the “real thing” to gather your own shells?

Extensions

  • In your field, how could you use this idea?
  • What if, to find ideas to blog about, you read completely out of your expertise?
  • What is the eye of an expert? Can he really understand all the stratums, the levels of a work?
  • What is a masterpiece? There are many criterions, but what happens when many levels of reading are amazing?
  • If you work on a mainstream piece of work, where do you hide subtleties?
  • If you’re a photographer, you probably read a cook book or watch a movie differently, you have “your” facet-seeker ready. So… what do you miss? Is your expertise blinding you? 

 

What do we watch in classics ? In A Tramway Named Desire, are we amazed by Kazan’s work as a director? Brando’s performance? The way they used the set? The words of Tennessee Williams? The way the scriptwriter changed it? The complexity of characters’ evolutions?

All of them, more or less. Right?

Thanks for reading!

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Instagram : __bodylanguage__

Mabel Morrison, #photographer

Mabel Morrison seems obsessed with reflections. Her Instagram keeps me in a awe. Where, how, why? I think of Saul Leiter, of course, but not only. The colors, the frame, the “moment”, the choices : it’s splendid work! It’s generous, and well done, and I smile.

Behind the “reflection” trick, there’s a sense of color, a chase for sweet life, or dramatic mysteries, quiet boredom. This is a good place for Art to be. And look at them : each one could inspire you a beginning of a novel, right? Thanks you. And…

… Bravo!

OK, enough words. Just look :

https://www.instagram.com/mabelmorrison/

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