Alex Coxville, Canadian painter

Alex Coxville (1920-2013) was a Canadian painter. I like him because of the uncertain mood we often find in his work. It’s troubling but harmlessly. It’s quiet but strange. It’s daily, but like in a dream – notice his use on “there’s no shadow”. And I love his way to choose a funny point of view, hiding things we would like to see…

 

Here are 10 paintings :

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You’re great / You’re not great anymore : has your talent evaporated?

Break-ups are interesting – for this little dial.

When your lover is your lover, he (or she) admires what you do. And who you are, obviously.

You’re a great poet, a “great photographer”, a great musician, a great lecturer. “You’re great my love!”. “I love your work to much!”.

That’s cool, that’s common, that’s very invigorating : you have talent!

But after the break-up you’re not. You’re not “anymore”.

Blehhh!

You’re not that good anymore. You’re not a good photographer. You music is boring. You poems, lame. Shame on you, now! It seems that exes are exes.

Well, so what? Where’s the truth, Brady?

Your mind wonders. Your brain thinks. Your engine engines :

  • Maybe you “suddenly” are not good anymore really. You lost it!
  • Maybe he/she changed his/her mind.
  • Maybe he/she was fake from the beginning : you’ve never been good! Bim!
  • Maybe you stayed talented, gifted, but he/she won’t admit it. Pride.
  • Maybe you’re good, but he/she’s not interested now.
  • Maybe he/she found better. It’s relativism. You’re good but less good than.
  • Maybe he/she HAS to stay silent. Because.

 

What do you think? What happened?

Thanks for reading!

 

from Instagram: http://ift.tt/2gL8YjG

Poumeyrol, French painter

Jean-Marie Poumeyrol was born in 1946. This French painter is said to be a “fantastic realist” (which probably must makes him smile). Symbols. Erotica. Lands. Boats…

I like him a lot for a couple or reasons : it’s gorgeous, but also enigmatic. Some paintings are like… games, riddles. You need time to see things, guess what’s happening (whose shoes are they, in the first picture?), etc…

But as usual with great artists, photographers, poets, painters : words are very, very weak to explain. So :

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Socrates has a question for you

I read one day that Socrates asked to a master of ballet :

“Who are you and… how do you know?“.

There are many questions you can ask to someone you’re interested in, where do you come from? or what happened in your life? or what’s new? or what are you working on? or tell me what’s difficult? or what did you learn? or who is important in your life?, etc, but :

How do you “know” means a lot. How do you increase your knowledge? What is your package, your bond to reality, your system, your measures? Do you read? Do you watch things, people, actions? Do you think? Do you remember? In what way? What do you seek? What is the nature or the knowledges you pile up in your brain? Do you have models? How is it cleared up? What for? Are you curious, where, how, and why? What are you weary of? Senses? Interpretations? Where could we be mistaken, why? Do you need to understand or to change something?

It could seem pointless, but I don’t think it is. Because these questions ask about this :

What is your out/in interface with the world, and how does it work?

Just an example : memory. We all know that our memory is not perfect, and THAT is interesting : it doesn’t work properly, this is why we can work, interpret, metathink, analyse, retry, write, rethink, etc…

You’re a photographer : how do you know? You have your technical skills, right? And then? How do you know what to photograph? How do you know when to trigger? How do you know if the frame or the light is OK? How do you… make progress?

Now play this game with others :

Tool : How do you KNOW?

…when you’re a poet, a photographer, a teacher, a priest, a spouse, a journalist, a blogger, a writer, an architect.

And yesss, haecceity : you can be all of them, right?

Thanks for reading!

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Let us enrich ourselves with our mutual differences.

Paul Valéry

 

 

Mikhail Vrubel, Russian Painter

https://en.wikipedia.org/wiki/Mikhail_Vrubel

Vrubel (1856-1910) was a Russian Painter.

You can Google Image his name or “Михаи́л Алекса́ндрович Вру́бель” to find his work. It’s haunting, like made of scales, and it’s a perfect example, for me, or strangeization

When you encounter his work, there’s a chance your brain begins to… like… address his case. It’s a very good indication, for me!

After the picture of his Seated Demon, there’s a fragment of the right part, like it?

Thanks for reading!

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Reasons why some people reject modern #Art

Nathalie Heinich is a French sociologist. She studied the reasons why people disliked modern art. Here’s a part of her list. What will you do about it?

Values in the domain of modern art rejection :

  • It’s disgusting, unpleasant
  • It’s not beautiful
  • It’s not art
  • It’s meaningless
  • A child could do the same
  • It’s made to get noticed
  • It’s made to make money
  • Lack of inspiration
  • It’s not serious
  • It’s dangerous
  • It’s obstructing the pathway
  • It’s useless
  • It’s unpopular, incomprehensible
  • It’s racist, sexist, obscene, cruel

Thanks for reading!

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Instagram : lena_rx

Fruitful Constraints & Creativity

It’s an old tool many artists know : many constraints are fruitful. Mainly because a constraint is a problem calling for a solution, therefore you have to move, to be creative.

All jobs and activities have constraints : budget, environment, other people, time, space, your skills, your tools.

If it’s too loose, though, you feel a freedom, which can be messy. You can not catch anything. Stuck. You maybe need to tight something up, to find “your” freedom within a new frame.

Brian Eno invent the Oblique Strategies (mainly for musicians) as a card game. You pick a card and you have to obey (sometimes it’s terrible!). Some directors are well known to tell the actors to follow precisely something (the dialogs, or the places they have to move on the set, etc) before shooting. Some digital artists sometimes go out in a park with a pencil and a notebook. A photographer can go outside with the limit of 20 pictures taken, not much. And G. Perec wrote an entire book without the letter “e”.

 

Constraints are fruitful. You probably have many disposable levers for these. A poet can obey : write something in alexandrine; without any letter “p”, in less than 5 minutes. You may have to present a project in ONE minute only, and… with no words. What are your levers?

You can pull a lever to Zero, it’s the Total Constraint. For example, you’re a photographer and you go out without any camera. Just your eye. You’ll feel the need, you’ll feel your brain simmering. As you can only watch and… think, you’ll maybe have bursts of ideas (instead of taking pictures).

Of course it’s an example of “Amor Fati”, being content with what happens to you, even if it seems bad. Embracing fate : every constraint, if you can’t avoid it, should (and will have to) be danced with.

Thanks for reading!

 

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Instagram : f_pilvi