Logan, X-Men, Avengers & Levers

I love movies, I love De Palma & Kazan, I love Welles & Bergman, and I love these US Big Machines with Jedis and Superheroes too!

Yesterday I watched Logan, a Wolverine movie, and I was amazed by its… tone.

First, it’s been directed by James Mangold, who made the hilarious and perfect Knight & Day, the great Walk the Line, the stressful Identity, and more : this little jewel of Copland.

Good, very good director.

Logan is a surprise for Mainstream X-Men like movies lovers : it’s dark, complex, much more violent, risky, and full of great ideas.

It’s not as easy as “I broke the toys”, though Charles Xavier is old and Alzheimerized, though Logan is not “repairing himself” that much.

That movie sweats intelligence in every scene. The diner is perfectly played. The horses scene is delicate. The casting is marvelous (the albino, the little mutant girl).

 

It brings me to this pattern :

When you have big success with mainstream big things, like Star Wars, Avengers, how do you move forward?

 

One good thing is to pull out big show-offers and smart pants makers to entrust these big projects to… good directors, who made personal intelligent things before.

  • Give Logan to the man who made Cop Land.
  • Give Rogue One to Gareth Edwards who directed Monsters.
  • Give The Last Jedi to the man who directed Looper.

 

But one can see something happening : Levers Choice.

Marvel tried these :

  1. Reboot the thing, like they did twice with Spiderman. And why not?
  2. Get bigger. From Iron Man to the last Avengers with dozens of heroes…
  3. Butter up idiots & geeks with vulgarity and puns : Dead Pool (it worked!).
  4. Drive to complexity, more adult themes & concerns : Logan.

 

Well : it’ll be interesting to follow…

Thanks for reading!

 

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From “Looper” to “Star Wars VIII”

  1. Star Wars: The Last Jedi was directed by Rian Johnson (born in 1973). As I often like to chain the movies I watch with a link, I watched Looper… his previous film, the day after. Looper is a splendid Sci-Fi movie and I watched a long interview of Johnson in the bonuses. I discovered an adorable geek with a fast brain, capable of talking about Casablanca, Akira, who wrote, organized and directed the movie, which “delivers an uncommonly smart, bravely original blend of futuristic sci-fi and good old-fashioned action”, 93% on Rotten Tomatoes!
  2. I really respect and understand that the Star Wars teams wanted this guy, as they wanted Gareth Edwards (born 1975)  for Rogue One. Monsters was a haunting masterpiece (though very low budget), and his Godzilla was… really different.
  3. I have a third example : Joss Whedon. Smart father of Buffy the Vampire Slayer and Firefly (then Serenity), a great “space western”. After Cabin in the Woods, he was swallowed by Marvel Studios, directing two huge Avengers movies.

 

OK, here’s the pattern : smart directors swallowed by huge systems to make the biggest blockbusters.

Could it be a special Peter Principle?

Did we lose the guys for good cinema? Why?

 

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