Hopper / Antonioni / Chekhov : Effects of Reality

Roland Barthes explained the “Effect of Reality” as a way to establish literary texts as realistic.

He said that some descriptions, in novels, have no other reason than to make us feel it’s a real place.

“…in one of his novels Flaubert describes the room of his main character and mentions a pyramid of boxes and cases standing under a barometer. These kinds of details are called notations by Barthes; he contrasts them with the main outline of the story, which he labels predictive, probably because on this level we can make certain predictions about the development of the story.”

F. R. Ankersmit

 

  1. We find this “tool” in some Antonioni’s movies, L’Avventura or L’Eclisse for example. A scene lasts a little to much. The camera shows something (a gaze, a street) without “real” reason. No other reason than this : suddenly you “feel” as if you touched reality, getting out of the-dream-of-watching-a-movie.
  2. We find this “tool” in Hopper’s paintings. For me, it’s his main talent, asset. We watch : some people are here, just “being” – they wait or think, who knows? These paintings stop you, wondering what these people do, if they’re bored…
  3. We find this “tool” in Chekhov’s short stories. His descriptions are not here just to “paint the scenery”, but (and very shortly/effectively) make us feel something. So much that I remember plenty of places of these books!

Of course, it’s used in many other art pieces and form.

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I think this is linked to our idea of boredom. In Antonioni we often watch someone doing nothing – breathing, watching something, thinking. It breaks the usual “flow of events” we often see in movies. Or we see a conversation leading to nowhere. Blank seconds. We see people dealing with boredom. And maybe we are hurt, of surprised, or… bored a bit. And it’s an effect of reality, right?

Sometimes it’s just “a place shown”, like in Hopper‘s work. The light on a wall suddenly makes you “feel” the place. You can almost hear the little wind, or the street, the sea. It’s as if your brain suddenly touched the reality he wanted you to feel.

 

What will we do with this? Why and how does it work? Why is it… good? What about photography? One purpose of it could be to “make us touch” reality, instead of amazing us? What do you think?

 

Thanks for reading!

 

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Middle of life & Refusal of continuous evolving plan

“In the middle of the journey of our life”, writes Dante in the beginning of his Inferno.

Roland Barthes uses this to think about the feeling of being in the middle of our life.

After an event which determines the start of the second part of life, some rest then they go on, repeating what they did before, maybe slowly withdrawing from action. Acedia (Wiki : “a state of listlessness or torpor, of not caring or not being concerned with one’s position or condition in the world”) is not necessarily a bad thing.

Let me fall into a quiet clean living space

Others will feel the coming of the end of life – or at least, that they begin the second part – and choose, like after a tremor, to change something.

Life of course, but also elements of it, things like beliefs, methods, ways of writing are subject to mutations.

In fact, one can feel this need anytime, not “in the middle of life” (which becomes, then, one trigger).

Who never felt “la lassitude de n’être que soi”? The weariness of being only oneself…

Something suddenly has to be done (and we should probably also list the triggers). What’s and how is it discontinuous?

  • sinuous – bends
  • defectoring – big changes
  • lives using turnarounds – doing the contrary for certains things
  • metamorphosis – another skin, way of seeing things
  • displacements – moving places, moving where we act
  • growing by stages – learning, opening
  • risks – uncertainties, voluntary skidsideslips, waverings
  • seeking freedoms – explorations
  • re-inventions – mutations

and having said that, at the same time, staying truthful & faithful (to ourselves).

  1. Choose solutions
  2. Invent solutions

Thanks for reading!

Don’t ask me who I am and don’t ask me to stay the same.

M. Foucault

See also (Google it) “Becoming Deleuze”. For example :

“Becoming-” is a process of change, flight, or movement within an assemblage. Rather than conceive of the pieces of an assemblage as an organic whole, within which the specific elements are held in place by the organization of a unity, the process of “becoming-” serves to account for relationships between the “discrete” elements of the assemblage. In “becoming-” one piece of the assemblage is drawn into the territory of another piece, changing its value as an element and bringing about a new unity.

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A possible Machine-Manifesto for afrenchtoolbox

Here’s to the ones who dream
Foolish as they may seem
Here’s to the hearts that ache
Here’s to the mess we make

She told me
“A bit of madness is key
To give us new colors to see

 

I could use a deleuzian concept for this blog : Machine… a word Gilles Deleuze used for S/Z of Roland Barthes, too. Those who know, will know.

My blog is a Machine, an entity which swallows things, ideas, concepts, memories, sights, life, quotes, website. Anything can enter my blog and will potentially come out a few paragraphs later like a little candypoo.

The machine itself is a bit quirky :

  • It’s changing all the time
  • It’s casual (because I’m an amateur, and… “I’ve seen things…”)
  • It’s multi-faceted
  • It contains plenty of little engines

 

Many little engines are indeed running in operation here.

  • Recycler (I use old letters, emails, diary, even my own blog)
  • Thief (I steal concepts from many books or articles, and I built up two bookshelves of “books with seeds” for this purpose).
  • Many mouths (sociology, music, art, psychology, parenting, etc).
  • Antennas. To guess.
  • Combiner that links ideas that should never be linked.
  • Microscope that searches tools, structures, patterns, skeletons.
  • Translation : I’m French and I write in English on purpose. Like a “necessary displacement”, an important decenterization. I needed it.
  • Collecting : I like to gather ideas like seashells, which will in the end draw something, globally.
  • Blender mixing concepts or domains to see what spillspurts out.
  • Frenchiness : I don’t work that much, I’m casual and I like to define my own rules. I’m disobedient. And certainly not steady. And I judge. Ohlalaaaaa.
  • A bunch of tools : a map drawer, a mirror, a fences jumper, a rules eroder, a veiled referencer.
  • Hydra : A child having fun. A storyteller. A thinker. A lover. A father. A bookseller.
  • Inchoater (“don’t finish, please, and let it opened”).
  • Grid : most of the time unappropriate, to see what it can see.
  • Energy. It’s been provided – at the beginning – by the golden knowledge that a splendid high-level of conversation can exist. It stayed in the machine, like a burning core. This core radioactivate a wave : SHARE.

 

This machine held me alive for a long time! Today it’s a part of me. A daily one. I’m this machine. I like to blog!

Most of the time, everything I put in it helps me to know who I am, what I want, what I’ve been through, what I wish, what makes me smiles.

This article was the meta-article of the month, yeyyyy.

Is your blog a machine too? What is YOUR machine made of? Do you need to decenter too? Why?

 

Have a great day!

 

Here’s to the mess we make

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Instagram : bodylanguage

 

Pecking ways & means of apprehend a work of art

#French #Blogging in #English : un Songe

Finder Keeper Sharer, “What is my blog about?”

 

 

Everybody’s talking about “golden voices”. But don’t you hear, when Emma Stone speaks at the beginning of the clip, that her voice is made of silver?? There’s a veil. It’s silver. Period.