Listening to Mahler, Symphony N4, Szell, London Symphony Orchestra, recorded in… Ohio, 1965.
“Quitte à être déçu, il fallait connaître…”
Tricky French sentence to translate : “Even if it meant to be disappointed, one needed to know…”.
Do you, like me, have this trait, which is to believe more in what is written than in what is said?
In an Art, always search for the second fiddles.
Thus today I’m interested in Charles-François Daubigny (1817 – 1878), considered as an important precursor of Impressionism.
We have this word, “le passeur”. Dictionaries says : “the smuggler”, but it’s not metaphorically correct.
I talk about the guy in a bark, who with along a rope helps you to pass, to cross a river (I imagine that in Russia – why? What’s the word?).
This is how I feel here, with my little tools. I find little things in a few domains, I share. It’s not teaching (this is way too serious for me!), just passing, like “pass me the salt please”. I’m a passer, can I say that?
A neophytes a-leg-up giver…
You should consider reading to each other aloud. It’s an interesting bond. I wanted to blog about it, but you’ll find plenty blog articles around.
– How do you see the character Charlie Brown?
– What does that mean?
– Something like : “Life is a disaster. Let’s try to live”
Writing about silence treatment, hidden godsends and inventive legitimacy…
Like in Rogue One, the idea of the one left behind who helps from there…
How to stay human?
Have a nice day!
Well, there is not
In English :
- Do you Love me?
In French :
- ALLEZ !
- Dis, tu m’aimes ?
Well, so what? Oh, nothing, dear! But it’s SO deeply rooted in me that when I write in English I have to think about it. It bothers me like a “mistake I have to write”. I gives a tight aspect of the end of the phrase. And each time I write in French, I feel relieved, like, errr, when a woman takes off her bra after a long day. Ahhhhh.
Aaaah, quel soulagement !
It’s like… well… It’s like the end of the phrase needed some AIR. I like to imagine that… it’s linked with our sense of slowness. La promenade. There’s no hurry to put a “!”, let it breathe, voilà.
Thanks for reading ! For reading!, sorry. Follow me!
This poem from Verlaine is called “Nevermore”. Here it is in French, then in English. Verlaine is a master, but he is not the most complicated poet (like Rimbaud, who is more like a Wizard). He shows you things. Nevertheless, to translate his work in English is, as usual, struggling with words…
And it begins with the first word : in English you seem to use “memory” for our both words “mémoire”, and “souvenir”. A souvenir is more a recollection, a remembrance.
If the air is colorless, our “atone” is different : it’s colourless but also “without a voice”, atonic.
The sun casts a glare, it’s correct, but the french verb “darder” is more bitter. Dard means “a sting” like from a wasp, “the sun casts its monotonous glare” could be also “firing a sting of monotonous ray”.
The “north winds”, at the end of the first verse tries to say “la bise”. Bise (pronounce “bizz”) is a great word for chill wind,”icy calm wind”. It’s great because “une bise” means also a “little innocent kiss”. North wind can not explain the chill you feel when you hear “La bise”, a word who resonates with this bouquet of senses in France “Quiet icy silent wind which sounds like a delicate kiss too”. Yesss.
Poetry is made of words, these gold nuggets used by poets with the whole set of radioactivity and colors. It’s not possible to translate, but it is possible to try, thought. You got the idea of the poem. Then you HAVE to try to read the original, for two reasons : for the music of it, and to “dig” into this gold if you want to. Thirdly, the words used by the translator can trigger something, though, something… different. Another poetry, in fact. Why not. Subtleties.
At the end, I found another translation. To compare.
Thanks for reading!
(colors or colours, tell me?)
Souvenir, souvenir, que me veux-tu ? L’automne
Faisait voler la grive à travers l’air atone,
Et le soleil dardait un rayon monotone
Sur le bois jaunissant où la bise détonne.
Nous étions seul à seule et marchions en rêvant,
Elle et moi, les cheveux et la pensée au vent.
Soudain, tournant vers moi son regard émouvant
“Quel fut ton plus beau jour ? ” fit sa voix d’or vivant,
Sa voix douce et sonore, au frais timbre angélique.
Un sourire discret/ lui donna la réplique,
Et je baisai sa main blanche, dévotement
– Ah ! les premières fleurs, qu’elles sont parfumées !
Et qu’il bruit avec un murmure charmant
Le premier oui qui sort de lèvres bien-aimées !
Memory, memory, what do you want of me? Autumn
Makes the thrush fly through colourless air,
And the sun casts its monotonous glare
On the yellowing woods where the north winds hum.
We were alone, and walking in dream,
She and I, hair and thoughts wind-blown.
Then, turning her troubling gaze on me,
‘Your loveliest day?’ in her voice of fine gold,
Her voice, with its angel’s tone, fresh, vibrant, sweet.
I gave her my answer, a smile so discreet,
And kissed her white hand with devotion.
– Ah! The first flowers, what a fragrance they have!
And how charming the murmured emotion
Of a first ‘yes’ let slip from lips that we love!
Souvenirs, souvenirs, what do you want of me ? Autumn Invites the thrush to fly through the air lifeless sans tone, And the sun beats its rays down : relentless monotone Over the yellowing wood where claps the North wind’s thunder tone. We were walking all by ourselves as if in a dream, She and I, haïr and thoughts buffeted by the wind’s non-esteem. All of a sudden, she turned towards me her looks agleam « Which was your most beautiful day ? » did her lively golden voice beam. Her voice soft and sonorous, a fresh timbre angelic. A discreet smile she did redeem as a reaction cyclic, And her blanched hand I kissed with devoutness. Oh ! the first flowers, how their scent liberates perfumes ! And the first sounds they emit akin to charming murmur The first « yes » that escapes the lips of virgin dames consumes !