“I chose you for your weaknesses” – #Pina

Aurélie Dupont is a well known French ballet dancer who performed with the Paris Opera Ballet as an Étoile. She is now the director of dance for the Paris Opera Ballet.

 

In an interview she says that in one day, as she was working under the direction of Pina Bausch, the German choreographer told her :

“Okay, you’re a very tough woman, you’re a very tough dancer, but I’m sure you’re very sensitive, and that’s why I chose you, and I want you to show me this. Because your strength, your force—I don’t care. I want to see your heart.”

Aurélie shortened it for the magazine’s interview :

“Do you know why I chose you? For your weaknesses. This is what I want to see of you”.

Oh my, this is a good seed, right?

 

The main question is :

What is the balance, in Pina’s brain, between

  1. I really want to see her weaknesses
  2. I have to say this to her, as a coach, to crack her toughness as an ambitious dancer.

 

This leads to another set of questions :

What is this state, when you’re almost at the point “to discover yourself”? What do you need, then? Another person? An accident, something which stops you until you discover your last step? A sentence you read somewhere, or hear? A friend? A surprise?

When you’re tough, hard with yourself, with the goal to be flawless, why do you always meet a point where you realize it’s a wrong way up?

Why do I always go back to this pattern, which is : when you’re stuck, your next path is maybe to find and develop ANOTHER FACET of you, which is often the contrary of you?

 

Mme Dupont was tough and very good. But Pina revealed something to her : you’re great, but now show us that you’re weak too, that you have a heart under your perfection.

 

Thanks for reading!

1398559471843959221_1204809845.jpg

Instagram : __bodylanguage__

 

 

 

Advertisements

Your Field : Topology & Radars

What’s your field? You’re a CEO? A poet? A photographer? A blogger? A cook? What do you do, what do you explore, what is your field, your… territory?

You probably like to “Think about your art”, where things are not that obvious. A map is not the territory, but it helps you : “A model is a lie that helps you see the truth”. Why would you study your own field? Make progress? Extend your possibilities? Detect dangers or mistakes? You feel stuck? Going too fast? Other reasons?

Do you think about your art when you’re working on it, or after? Alone or with another person? What happens?

You can also read :

When you work, what radars should you use? What model? Do you draw? Do you imagine? In fact, it’s a good opportunity to use topologic or other fields vocabulary, and tools…

  • If you dig, what is a lode? How do you find it? What do you do with it?
  • What if you were stuck in the narrow neck of an hourglass? What does that mean? Do you have to wait? To push?
  • If you find grains and rocks, are there a pain, a chance, a luck?
  • What could be a compass, in your field? A magnifying glass?

Other ideas of tools to use to study your own activity?

Take these jobs : clockmaker, a topology specialist, a miner, a gold digger, an entomologist. List their tools, their concepts. Then apply on your field. How do they use it? What happens? A nugget? A change? A new map? Vectors? Paths?

 

Thanks for reading!

 

C360_2014-11-02-19-25-49-136.jpg

Palm of Ordinary Seeds & Masters Wrong : Chronicle 8

Within my reach !
I could have touched !
I might have chanced that way !
Emily Dickinson 

 

For some of us, who have inside a sort of “rush”, a surge, an inner run-up force, there are many ways. You can Huckleberry Finn along a river, you can also Kerouac all along the road, you can choose a passion (collecting – forks or shipwreck books -, throw yourself into sports, politics, veganism or religion, anything that can keep you busy). If you have young kids, you don’t have to worry : these little brats will keep you busy. You can disappear, too, into alcoholism or antidepressants, or sleep. Shopping, why not, if you’re moneyfilled.

mu.gif

My daughter was in England all past week in Plymouth, including the day people were killed and stabbed in London. You will see plenty of pictures of people in Europa saying “We Are Not Afraid”, and, like Londonians during the V1 V2 Nazi bombing during WWII, we are NOT afraid. I told my daughters to live, to shop, go to theaters and restaurants and have fun with friends. That’s our way to resist : to stay ourselves against idiots.

And yes : spot the emergency exits, everywhere they go.

10634463144aa2eceb006be.jpg

When you advise a friend to read a book, to watch a movie, and she or he asks why, you answer : “You will know once you’re on it”. With a certain smile, right?

streetc.png

When a window is closed, another can open. What kind? What is different? What if it was the last window, closed for ever?

After a big disappointment, what’s left ? Pieces : misanthropy, auto-torture about ideals and dreams, and Art as a shelter.

images 2.jpg

What do we do (or think we can do) against an formidable enemy, a wrong energy? What if you can’t resist because it would be stupidly useless? Seeds for an article :

  • Don Quichotte’s mills
  • A drop in the water
  • An attempt for appel d’air
  • Dessiller (open sb’s eyes)
  • Draw maps (for later)
  • Barometer (to warn)
  • Warn, alert
  • Guerilla
  • Witness
  • Grains of sand (in the clock)
  • Breaches & holes drilling

mu.gif

Map of Variations :

To draw a map is very common. You can use it anytime, on anything. Territory, music, history, love. Then it’s not “really” a map, but a set of informations about something complex, a table, a chart.

Choose a song and list elements : lyrics, instruments, production, place of instruments in the sound, construction. There’s one “another nature” map, though : It’s how all these change and evolve in time.

Seed/Tool : in every chart you find or work on, think about the MoV.

HVdmKZxLrV.jpg

Feedbacking a patient can have a great effect, I read once. It’s probably the same for teachers, parents… It means : stopping being “The One Who Knows”, ride down next to your patient/student, and talk man-to-man about YOU. This can have a tremendous good effect. Your advice, on this?

rose_des_vents.GIF

This is a seed for short stories : “When imminent danger is a godsend”. Why, where, how, etc. Your turn!

1343132927.JPG

Embarrassment when you see a Master out of his domain. Nietzsche’s music? Schoenberg’s paintings? Or someone you know? A great cook trying to fix his car? A genius computer programmer parenting? And so what?

image4271s.jpg

Sapiosexual breakups are the worse. Because instead of missing an inventing sex life, magic tenderness and a silky skin, you miss a thinking brain, a conversation master, a challenging thinker, you miss questions, surprises, bends and laughs. AND magic tenderness, okay. That’s worse, eventually.

13876891_ori.jpg

Eventually is a very tricky word for us French. I know it means “after some time”, or even “finally”. But in French, “éventuellement” means “possibly”, or “potentially”. Well, even now I have to check. Each time I use it. My brain doesn’t not want it. I always want to call Obama on the phone to explain him there’s a mistake.

Thanks for reading! Have a great day!

Jean-Pascal

tst164.jpg

The power of questions & the strength of possibilities

The power of questions is the power of intriguing you.

Some questions don’t even need answers, but have the power to move your brain, to make it invent. Invent concepts, ways, doors, solutions, views…

Questions are events (because where you live, there is no florescence of questions). Questions are interesting, they can also be disturbing, or funny.

You can make the decision to let yourself be driven, or be pushed around by the power of questions.

Questions trigger movements in your brain, movements of dance, of dodging, or even swerving. Smile!

Questions secrete glowing happy interesting fog-patches of possibilities around you.

Maybe questions can meet… your own questions. Maybe they help you to ask some more questions to your partner, or… to yourself : to be surprised, to discover the strength of possibilities.

Sorry, I’m French, and if my quirky English tickles you, my bad.

Tool : Invention. Events. Decisions. Movements. Possibilities. Questions are powerful. Ask, or be asked? Both! Dolphins are fast and elegant, they seek this dance.

Merci !

1416688846963529928_40270600.jpg

Ears & Belly Button : The Roots of STRESS

You are stressed, that’s awful, because of your job, your family, your manager, something you read, anything. Stress! Help!

One day you are so stressed out that you begin to search the entrance. I mean… If you are stressed, the stress probably enters, penetrates, comes INTO you, right?

By the ears? Nope. Your belly button, maybe? Nahhhh!…

How does it work?

Well… It works. Until you realize :

YOU make stress. Your own BRAIN builds, makes, produces, manufactures stress.

Bummer and crap!

Happily, the day you understand that you become a Master Zen.

A stressful phrase, guy, situtation or event appears in front of you, and, how magic! : you don’t secrete stress, you just DON’T.

(well, you can stress if the werewolf is chasing you in the night, Okey)

You could swallow this little quote from Krishnamurti, then :

OBSERVE WITHOUT ANY CONCLUSION

This is a good secret.

Things appears, shit happens (or hits the fan, as you say, I like this joyful idiom), people around you are NOT steady, they are alive and surprising. Watch, don’t stress, be calm, dance. Amor Fati!

Thanks for reading!

PS : You know what a werewolf is, right? So, as a French ESL, can I invent other “weres”? Like a weresheep or a wereswan, a weregrasshopper or a wereguineapig?

1379930337417007851_40270600.jpg

“What are amulets?” – Don’t expect salvation from an external principle

What are talimans, amulets? Don’t expect salvation from an external principle

This intriguing assertion comes from Friedrich Georg Jünger, Ernst Jünger’s brother. It’s like a warning against a useless tool.

And apart from medical issues maybe, I like to keep it in mind. If you want to stop smoking for example, you can use patches or pills or therapy or whatever, but the solution comes from you : discipline. The rest is nothing. You’re in charge. Take care.

Thanks for reading!

tombeesducamion10413943_776668045720390_238284131_n

Instagram : tombeeducamion

Umberto Eco & the Open Work

Umberto Eco wrote an entire book about the idea of Open Work. I just present you here this idea, as a seed, that a “work” has an openness.

A work “appears” like this or like that, but has a number of ways of being read (seen, viewed, watched, decoded, interpreted, appreciated, contemplated, analyzed). This seems obvious for the sheet music, the score, or for a play, right?

  1. There’s maybe an “obvious” openness, a prescribed way to read a work, but it can be a little more vague, like a set of possibilities – until complete crypticness : find what you can, if you dare to do it, then.
  2. Some elements are often chosen by the artist to let the audience appropriate the work their way, but not “that” their way. Symbolic novels are obviously made for this purpose (Kafka is an example given by Eco).
  3. Opened or not, some people do what they want with a piece of work. It’s a whole decision, it requires culture, or tools, or ways of finding things.
  4. Some works, this way, can be enriched by a clever spectator, who would be delighted by elements, details, structures… the artist himself ignore!
  5. In classical music or theater, there’s a place between the work (the score) and the audience. The players (or the actors) have a big role about “how they see it”. But after that level, the audience will also interpret things…
  6. We probably want to find bonds between the work we study and our own searches, flaws, experiences…
  7. Add yours in the comments, please?

 

Tool : If you work out of the “artistic field”, in blogging, marketing, conversation, fashion, coaching, I’m sure you consider many parameters. You can make a list, right? Timeline, colours, variety, energy, waits, etc, there are many levers to pull. But have you considered the “openness” of what you propose?

 

Thanks for reading!

“Nommer un objet c’est supprimer les trois quarts de la jouissance du poème, qui est faite du bonheur de deviner peu a peu : le suggérer . . . voila le rêve”

“To name an object is to suppress three-fourths of the enjoyment of the poem, which is composed of the pleasure of guessing little by little: to suggest . . . there is the dream”

Mallarmé

igbest_shotz_-__by__jacopo-rigotti_-___follow___tag__igbest_shotz_-_please_show_some_support_and_visit_the_artist_s_gallery_for_more_amazing_photos-_-_selected_by__viktoriahaack_____________________

Instagram : jacopo.rigotti