2 CDs : Sylvian & Karn’s melancholies

In this series I’ll pick 2 CDs. Exercise to remember why I own them. Game to find links between them. Find out if I like these musics today. Will to share unknown things with you.

  1. David Sylvian, Brilliant Trees , 1984.
  2. Mick Karn, Dreams of Reasons Produce Monsters, 1987.

Both were members of a group named Japan – https://en.wikipedia.org/wiki/Japan_(band) – Sylvian was the singer and Karn the bass player.

Brilliant Trees‘s sleeve was gorgeous in vinyl. I always loved this photography! Sophisticated pop, incredible voice, melancholy. The track I chose to YouTube you is a perfect example : veils, calm trumpets, a very smart way to use modulations, and a magical “I quit the pray to fly up to the sky like a balloon” in the end.

Dreams of Reason Produce Monsters (this title comes from Goya and I let you meditate about this magic phrase) is dark, ethnical, quiet, nocturnal, full of surprises (songs sung by Sylvian, clarinets, percs), like a path in a night of… dreams. Mostly instrumental.

Melancholies, sophistications (constructions, sounds, moods), elegance…

Havve a nice day!

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When you come to me
I’ll question myself again
Is this grip on life still my own

When every step I take
Leads me so far away
Every thought should bring me closer home

And there you stand
Making my life possible
Raise my hands up to heaven
But only you could know

My whole world stands in front of me
By the look in your eyes
By the look in your eyes
My whole life stretches in front of me
Reaching up like a flower
Leading my life back to the soil

Every plan I’ve made’s
Lost in the scheme of things
Within each lesson lies the price to learn

A reason to believe
Divorces itself from me
Every hope I hold lies in my arms

And there you stand
Making my life possible
Raise my hands up to heaven
But only you could know

My whole world stands in front of me
By the look in your eyes
By the look in your eyes
My whole life stretches in front of me
Reaching up like a flower
Leading my life back to the soil

Loops over Loops : What are Frippertronics? #Guitar #Fripp #ambient

Robert Fripp is an English guitarist, member of King Crimson. He worked with Brian Eno or David Bowie. Sometimes he has a really weird way to weave notes…

Wiki says : Frippertronics is an analog delay system consisting of two side-by-side tape recorders, configured so that the tape travels from the first machine to the other, allowing the sound recorded by the first machine to be played back later on the second, thus causing the delayed signal to repeat while new audio is mixed in with it. The amount of delay (a few seconds) is controlled by increasing or reducing the distance between the machines.

Voilà. It’s like a painter who would paint OVER his own work, continuously. The music speaks, then goes away, then goes back while the instrumentist plays over it, etc. Today it can be done digitally, of course!

Here’s an example at the beginning of a Peter Gabriel song :

Of course you can visualize the effect, like an eternal balancing loop. If you click towards the end of the song, you’ll hear this “cloud” of looping sounds…

David Sylvian uses it a lot, in the Splendid album Gone to Earth. The balancing decors of Healing place is made of Frippertronics :

 

Well, you’ll find more on YouTube!

My question is coming : why is it so rare today to hear this good “trick”? And if I enlarge this question it becomes a structure and a tool :

As a creative person, do you know (or would you like to search for it?) someone who invented a good rare way to invent in your discipline? In what area? Architecture? Poetry?

What tool would you pick up in order to use it your way?

What could a musician like Tim Exile do with a set of continuously vanishing loops?

What could be a darker way to Frippertronic? Listen to the guitars-weaving behind :

Thanks for reading!

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“Without Music Life would be a Mistake” ? Nope…

“Without Music Life would be a Mistake”

You can find this quote from Nietzsche on all kinds of tee-shirts.

In fact, you can replace “Music” with some other pleasant words, like “Wine”, or “Love”, or “Philosophy”, “Fashion”, who cares ? Is it an order, some kind of pressure ?

Of course, without music life would not be a mistake AT ALL.

The Persuaders

If you suddenly take seriously how music is important to people, you’ll be SO surprised that you will be floored. I use this “floored” expression because I’m french and I LOVE it. Floored, you on the floor, voilà pour vous.

I asked about the opera, one day. One loves opera because of the magic of the place. Some because of the archetypal terrible stories. For some others, it’s the performance of the singers (ahhhh the “high notes” !). Some guys are in love with one voice only (Callas !). Some guys love only one composer (Wagner, or for me : Puccini). Many love opera and only opera. You can find fools who love to collect all versions of the same thing. Etc.

Elephant Woman

You should and you have to think about it when you want to SHARE a music. You give YouTube links to your lover and most all the time you’ll be surprised. She doesn’t care. What moves you does nothing to the others.

Personaly I love risky modulations (I love Mike Oldfield, John Barry, Progressive Rock and Royksopp, and Puccini, and Prokofiev for this reason). I love to analyse production (Floors of sound in Depeche Mode Violator, different veils in Brian Eno’s work). I love crescendos. I love when the magic is hidden in a mist (Royksopp, Blonde Redhead). I love David Sylvian’s voice. OK I stop here. What about YOU ?

Brilliant Trees

Some like an era (the sixties !), a style (new wave !), an energy (dance !), an attitude (punk !), a flow (rap !), productors (Trevor Horn ?), a sound, a label (4AD), a social field (gothic culture), a movement (house), a nostalgy (“I listened to The Police when she kissed me !”), the singer (Arctic Monkeys oh he’s so cute)…

Tools :

Oh, just this : It’s always more complicated.

Do not think that you have a human typology in mind. You’re wrong.

(and fuck Nietzsche on this quote)

https://youtu.be/cFig-OiIwDo

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