“The promise of the caterpillar does not bind the butterfly” – A. Gide

“La promesse de la chenille n’engage pas le papillon”

“The promise of the caterpillar does not bind the butterfly”

André Gide

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Snow & Fancying Snags : Chronicle 24

It’s snowing tonight in the North of France! I feel like a kid on my balcony in an awe (isn’t snow time in the evening a little magical?). Awe and wonder. The first thing I did is to text my two daughters (who are 16 & 19 years old now) like : “Il neige !!!!”.

Like you, “neige” (just say “nej”) is the verb (it snows) and the snow itself (la neige). Neige is a great word to hear, it’s magical. I have a friend whose cat is named Neige (Snowy, in America, right?). Instead of saying “covered with snow”, we invented : “Enneigé”. Yes : ensnowed…

Christmas is family time, and, well, it’s a sad month for me now, some days…

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A funny exercise is to watch yourself with the “two facets” dial. We have many aspects, but let’s play the game of two. Your own two opposite properties.

You like to be alone AND you need your spouse around. You are creative AND you’re lazy. You’re introvert AND in some case you love to be the leader in front of a room. You’re married AND… ooops! Sorry. Too French.

There’s more that we think in this simple AND. It’s a better word than BUT. It includes this : there’s always one facet who needs attention, to grow, to be more complete. It’s one source of happiness. More : you can invent a dance between what you think are opposite qualities. You can invent a braid. A strong, powerful one.

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Sometimes I open a book about coding, programming. I remember I spent a whole summer, as a teenager, to optimize a program which had to place the boats on a hit & sunk 10×10 grid. Well : I remember pretty clearly the UNIQUE state of mind which is to program. It’s a particularly strong sort of flow

I almost got it back when I learned HTML, but nope-too-easy.

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I used to make verbs from nouns, in English. I’m sorry. What do you do? I coffee.

And at night, I bed. I’m sorry.

Well, I could say “I’m going to bed” in both, hmm?

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To say “To hit a snag“, we way “Tomber sur un bec” : to hit a… beak. It’s to meet an unforeseen difficulty, an “unexpected problem”, right?

I saw in English : To encounter a challenge. That’s a very positive way to say it!

Thus I wonder how it’s “heard” in America, the radioactivity of it. You hit a snag, great, you’ll unfold your powers and move forward? Or is it like in France a bit sarcastic : Haha, you hit a snag, now wait for the backlash! Bim in the nose.

We use it often when a smart-ass mister-knows-everything meets an angry little person who has none of it and has a different take. When fists fancy flying…

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Yep, as a casual structuralist, a pattern digger, I like to find “what is common” between things, what is “under”. But after that, the real pleasure is in the differences…

 

Good day!

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https://youtu.be/7AYJOQ09PeU?t=29h40s

Burst of Punk : Sex Pistols & The Clash

I continue watching a BBC documentary (BBC – Seven Ages of Rock), an episode about Punk Rock. They showed pretty well what was under it. The Ramones or Television as a source. A will against virtuosity and special effects. Raw rock energy, like a angrier faster sixties rock&roll.

Interviews of the guys and journalists of this era were pretty funny. I remember the leader of the Buzzcocks taling about this song “Boredom” and its guitar solo made of two stupid notes tatee-tatee in an endless boring loop…

Sex Pistols‘ slogan was “No Future”, and obviously it was the case. But how to get out of this crabs’ nest??

It led to this : No fun. Wikipedia tells it pretty well :

On 14 January 1978, during the tour’s final date in San Francisco, a disillusioned Rotten introduced the band’s encore saying, “You’ll get one number and one number only ’cause I’m a lazy bastard.” That one number was a Stooges cover, “No Fun”. At the end of the song, Rotten, kneeling on the stage, chanted an unambiguous declaration, “This is no fun. No fun. This is no fun—at all. No fun.” As the final cymbal crash died away, Rotten addressed the audience directly—”Ah-ha-ha. Ever get the feeling you’ve been cheated? Good night”—before throwing down his microphone and walking offstage. He later observed, “I felt cheated, and I wasn’t going on with it any longer; it was a ridiculous farce.

The band split, Sid Vicious died of overdose. No Future.

Another group (The Clash) used Punk energy and injected reggae or rockabilly in it. They became stars.

 

Tools :

It’s an interesting pattern, right? How do you use big thrust? Do you let it flow the fields? Do you let it burn itself in insanity? Do you channel it? Do you feed it with external elements? Like what? Curbing? Surprises? Taming?

 

Thanks for reading!

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