On what foot will you dance? What if in a situation you don’t feel what you’re supposed to feel?

Being neutral, or hilarious, at a funeral. Feeling nothing after being fired. Laughing when you read a drama book. Crying in front of a comedy.

What if in a situation you don’t feel what you’re supposed to feel?

  • It’s surprising for people around you, which means there’s a social pressure, right? You are “supposed to”.
  • It’s surprising for you.
  • Or maybe you exactly know why you react “out of the frame” – but it’s a secret.

 

In “A Streetcar Named Desire”, a woman visits her sister in New Orleans, who lives with a violent man (Marlon Brando). You’re “supposed to” dislike a man who beats a pregnant woman, right? But Brando is so good (and he’s a movie character) that you begin to love him, then you hate him, then you admire his work as an actor, then… Vous ne savez plus sur quel pied danser : “don’t know what foot to dance on” – You don’t know where to stand.

And this is made on purpose.

 

What are situations when you don’t know what to feel, where to stand? Manipulation? Sudden truths? Out of focus? What triggers feelings-confusion? Are you tired? What is this gap, between what you feel and what you’re supposed to feel? What if it was wrong? What if your radar needed to be fixed… or other people’s radars??

 

Thanks for reading!

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What happens off screen on Instagram

In cinema and photography, we use in French two different words, hors-champ and hors-cadre.

  • Hors-champ is like “out of the field”, I’ve seen “off screen” or “off camera”. It’s what happened but has not been filmed.
  • Hors-cadre is more precise, it’s “out of the frame”, so it can happen just out of the border of the image, close to the edge.

In the movies, it can be used to hide an horrible thing (killing someone off screen but seeing the reaction of a character), and it’s a great idea in comedy : in George Cukor’s Adam’s Rib (with Spencer Tracy and Katharine Hepburn), some hilarious moments happen when a character goes out of the screen (in a bedroom where you KNOW there’s a problem) and screams.

 

All of you, my readers, read articles in past months about fake happiness on Instagram. A splendid bikini lady is smiling on the beach, holding a green smoothie in a hand and her lover’s hand in the other.

Now we’re going out of the era where we “believe” that shit (and be envious).

We all have a “off camera/out of the frame” culture now. We KNOW she spent two hours sweating under the sun like a debandaged mummy until she found a place, a light, an angle and a HDR picture she likes. The boyfriend/photographer in bored like a dying hen (with greasy hands). The assistant (often bikini girl’s sister) screams, cries, gets drunk and wanna die. And of course, as soon (at least!) as it’s done, the teeth-piano-like “smile” vanishes, the smoothie goes to the trash (who wants to drink this cucumber/mango juice?) and they all fight like rabid mangooses until the night (and next picture). Voilà!

Thus you begin to ask questions about humanity, like “Why the wars?”, “Why the diseases?”, “Why asking for autographs?”, “Why cruelty?”, and “Why posting fake #bikini #happiness #lovetraveling #admiremeplease on Instagram?”.

 

So we began to hear about these people stopping bouleshit, changing the comments they added under their pictures, confessing the bitterish moods of the shooting days : articles. What happens after that “revealing moment”? They study Roman architecture or begin to practice an instrument? They add another Instagram next to the other one, like “horrible making of”? They fight poverty? Meditate?

How could one use smartly this idea of “The public now knows the out–of-the-frame”, and smells the fake-iness from one hundred feet afar, without being sarcastic like Celeste Barber? Really I have no idea. I need more coffee. Want a pic?

 

Thanks for reading!

 

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