Ichtya

An egg

Weaved and white

like left on the black carpet

in an oblique ray of asleep light

There was an inner movement

a silken ripping

a fine breathe in the twilight tranquility

The spider has spread the cocoon

Her translucent legs slowly unfolded

Quivering like one hand of a dying woman

She opened her eyes

One by one

Revealing eight pearls black and rooted

Then she breathed the night.

Ichtya was born.

 

 

Ichtya

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(pictures taken by me)

“Consider other doors, gallivanter!”

Sometimes you’re less interested by the works than by the theories, discussions, struggles, articles and letters by those who invented it or studied it.

Imagine you’re interested in cubism, or new wave music. You can study the paintings and listen to OMD’s albums, but you could also dislike all of it, and at the same time discovering plenty of good ideas and concepts in the articles, books, letters around these subjects.

Go to France, but visit other cities than Paris. Read a poet, but not his poetry. Focus on trains when you study WWII.

So what? Well, nothing more than :

“Consider other doors, gallivanter!”.

I’d go further : choose a field you really don’t want to like (pick one : Street Art, Turkish Music, history of the Loire Castles in France, early movies of Brian de Palma, African food, or Nicolas de Stael’s paintings), and you go girl!

You could be surprised. Or find harmonic links with what you like, concepts you could apply to your discipline, or other doors to even more interesting territories.

Thanks for reading!

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Inner Party – The “Second Pleasure” of the music-lover

Everybody knows the First Pleasure of the classical music lover. You like this or not, that’s all. Pleasure of the music, from the music!

If your curiosity is intact, you will read about the composer and its time.

It’s the beginning of the Second Pleasure. When you explore different versions of the piece, you read about this, you compare, you wonder.

Thanks to YouTube you can pre-explore. Listen Fêtes (festivivities) from Debussy. It’s from Nocturnes. Imagine there’s a party somewhere but you go outside is the night :

By Boulez :

 

Bernstein goes much faster. Electric festivities !

 

 

 

If, on both examples, you go to the middle of the piece, the party is now far. The lovers are in the night, and another energy unfolds : the pleasure of being alive and enthralled under the stars. Like an inner party, an elation. Then…

Oh, there’s a version with two pianos !

 

Pleasure is to talk about this with a another hunter. Third pleasure?

Tool : Where could you apply that? How could you enlarge your researches? Change of nature? Change of subtleties?

Thanks for reading!

(for the pleasure of being just beside a party, you could read Sipping Moods)

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Instagram : drpoopdog

Working with what you have… today

When I was 25 I complained to a friend of mine who was 40, a painter. I was composing music slowly and in a bitter way because I was missing instruments, equipment, etc. I had a Macintosh, a mic, a synth, a reverb and a flute.

In art or life, sometimes we feel stuck, therefore we don’t do anything, because we “miss something”, we don’t have enough of this or that : we just wait, bored like a lonely koala in the taiga.

So we just “watch a goal”, a state or a line where, at last, we will be able to begin.

THEN we will have enough time, enough money, enough energy to do it!

I will… paint, compose, be happy, invent, write, blog, learn, the day I will have this or that, blah blah blah…

This is procrastination, laziness & threnody. Sometimes it’s useful to wait, though…

My friend told me I was silly, and, as a painter, that if she only had a pen and paper she would work. “Do something with your flute and your keyboard, instead of complaining, silly!”.

Okey. Watch around. Pick up a tool. Begin. To begin : begin, as they say. Now. That’s true!

…unless you don’t work for another reason, using this syndrome to do nothing. Rhoooo this is baaaad!

Bonne journée!

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Instagram : taranewton1

Arthur Rimbaud & Glenn Gould : The “Big Less” Temptation

Rimbaud was a French poet who had a huge influence on Arts and Literature, but stopped writing at 21. He became a merchant, mostly in Africa (in coffee trading, for example!), and died at 37.

Gould was a Canadian pianist who stopped giving concerts at the age of 31 and became an eccentric hermit in recording studios.

Different destinies, but a similar pattern : at one moment, they stopped completely something they succeeding in, they closed a door.

Rimbaud stopped writing. Many wondered why : The artist had said everything? He wanted to explore another face of his personality? He had a secret wound? Dead wordsourcespring?
Gould didn’t stop making music, but never came back playing in concert, and he explained himself about that.

I write this because I wonder if sometimes we should consider a similar flip. A combination of levers & dials, studying what’s good in our life, considering that insisting (even in different ways) could be, from now, a failure : it’s maybe time for a closure?…

 

The Big Less is about considering to close a part of you which… works. Why would you do that, like “I park it”? Why would you stop what works? You feel you miss something? It’s too easy? You reached a plateau? I works but the wrong way? You lost a goal? You need to experiment to enrich? Fresh air? You need to get smaller to go faster? A fresh start to go elsewhere? You’re afraid of some ticking-over routine? Is it a bad idea? Why?

And who knows what will happen after some years? Maybe you’ll realize you needed the big disturbance of it? Maybe a bigger room will open? A secret path will appear? Maybe you’ll make good Bach records, or trade coffee?

Have a nice day!

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