The need of weakness and other subjects to think of : Chronicle 53

If we see the human mind as a layer of beast and a layer of culture above, what about people who never read? Index cards certainties…

To have the right to judge, one just has to announce that they never judge.

A secret is not made to be kept, but to give some importance to the information.

The suffering of children is the absolute evil.

If one wants to get the upper hand, it’s because one is under.

The stronger of all is the one who shrugs.

A unity made of neutralized contraries, an apparent immobility which hides a vertiginous and perpetual life : develop.

What is our “horrible need of weakness”?

The coward’s tantrum.

What is temptation, what is desire? How are they different?

Categories, what do they say?

If a soft bass voice is the sign of high civilization, what about loud people?

Is to transform a place into something it’s not (take an old church and make it a gallery, take a barn and make it a store) vulgar or painful? Why?

Someone is ugly because one was born ugly, someone is ugly because mediocrity shaped their face. Do we have the faculty to determine it? Which one scares you the most?

I read that one of one father’s role (purpose) is to save time to his child, to offer or show them the most checked boxes possible before sailing on existence. I terribly agree with this one.

Those for whom one of the greatest pleasures is to cancel a travel.

This age where you have a form, an index card for everything and everyone. Your neighbor, a singer, a recipe, a writer, a movie, a city. This exercise : to cancel it, to change it, to enrich it. How?

To make/keep someone shut up, three ways : to monolog endlessly, to make as if you don’t understand, to show that you’re not interested by what one says.

Our mother dreams about what?

Good masters open a chasm under your feet. In one sentence, they show it to you. For good or bad.

You know things only by differences, wrote Suares. Does it mean that we function with analogies?

If there are no rules, you can not transgress them.

The right to go away (Baudelaire). Develop.

To be conscious of everything and at the same time to keep our instinct alive : Art?

Mystery, but no obscurity.

A lack can be unconscious. It shows itself with instant tears…

Thanks! Have a good day!

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All these stolen from J. D. – let’s spread.

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Needling each other : Chronicle 51

When synthesizers came, many musicians were amazed because “it can mimic any other instruments!”. But of course some guys began to use them for their own possibilities. Isn’t there a tool here?

When something new comes, use it as a tool to go elsewhere and explore, instead of planting it in the old soil – though it could work too, right?

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Fraternity between those who don’t play the game.

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Oblivion makes you disappear. Fame imprisons in a genre.

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Some loss of balance can lead someone to go through their ideas.

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Some police investigators are just logical and thorough. Some others have diagnostical impressionism : they have a “clinical sense” which is continuously plugged to the world and human beings…

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Rain is happy to meet grass
Grass is happy to meet rain

Claude Roy

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What helps us in friendship is not much the help that friends give us, but the trust we have in this help.

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What is the height of distress, or hardship? To not be surprised by anything.

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Maskenfreiheit, the freedom of the mask

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The Five Obstructions, Lars von Trier and Jørgen Leth, 2003

In this underrated film the iconoclastic Danish director Lars von Trier challenges experimental film-maker Jørgen Leth to remake one of his earlier films, The Perfect Human, five times, each time with a different creative constraint. The first “obstruction” imposed by von Trier, for example, was that the film had to be made in Cuba, using shots of no more than 12 frames. Another was that it had to be made as a cartoon. It’s basically these two creative egos going up against each other and it gives a fascinating insight into the film-making process, what goes on in a director’s head and how you cope with stress and constraint and challenge. It’s delicious and playful and there’s never a dull moment watching these two maestros needling each other.

Who will you ask to obstruct your work? What for?

Thanks for reading!

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Exquisite Discomforts

In an article about Jean de la Fontaine, Paul Valéry floods you with great little ideas. Here are some, for your thinking pleasure :

 

Nonchalance carefully considered. Facility : the apogee of art

Easiness from experience? Or as a will, a process? Not engaging all strengths?

Exquisite Discomforts

Inventing limits? Effort roads? Fighting against a delightful memory? An intelligent enemy?

To change what happens into what stays

Capturing? Drawing? Inspiration? Creativity?

So many advantages of which you hardly see the shadows

Lured? Trap? Stupidity?

Some commandments who seems so futile

Thinking out of the box and contempting what we see? Godless spirit watching religion?

To think an instinct of the artificial exists

 

The obedience of clay

 

Never a finding – or an assembly of findings – could establish a work

 

When all that counts is well veiled

 

 

What do expand here? You have two hours!

Thanks for reading!

JP

 

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Photo : Mauro Fiorese

 

Paths of Iron & Supple Escapes

“No one knows what the body can do”
Spinoza

 

Railroad. In French we say le “Chemin de Fer” : “Path of Iron”.

Deleuze, the philosopher, used to talk about a “between people geography”, links made of hard lines, supple lines, escape lines…

 

ONE

Well, that makes sense : we are surrounded by powers, who want us to stay on paths of iron, right? “Obey! Rules are made for you too! It’s dangerous outside!”.

But desires and grapes of possibilities transform our lives in (oh a new word!) an unremitting evolution of connections.

Paths of Iron are there : what you’re told to do (education, instruction, social obligations). We follow and we have to. Laws and contracts and pressures.

But we watch outside, by the window, we dream and play with possibilites. And about what the body can do…

 

TWO

Supple, subtle, little : now we talk about what happens “under”, in small moments : the small magic, the unpredictable.

In a company, under the schedules and duties, people (and bodies) never cease to dream, to change, to try, to escape control, to invent, to dig little tunnels. Lines of life! A smile, a gesture, tiny cracks (see the light?), a triangle of sun on a table, a seventeen words conversation…

Haecceity! A dance, or a resistance. Denying iron!

We are a group of different speeds and slownesses, an individual, a singularity, constantly inventing grapes of possibilities, a play of forces or encounters. Lines, new lines, inventions.

 

THREE

We can’t grow if we don’t escape, if we don’t walk out of the paths of iron. We all have our ways to do that : knowledge, hunting, exploring, trying…

One escape line can last one minute or two weeks or a life. An on our own becoming…

Fuir -> To Flee/To Leak – a #Deleuze word game

 

c’est toujours sur une ligne de fuite qu’on crée, certes pas parce qu’on imagine ou qu’on rêve, mais au contraire parce qu’on y trace du réel, et que l’on y compose un plan de consistance. Fuir, mais en fuyant, chercher une arme.

it’s always on an escape line that we create, not because we imagine or because we dream, but in the contrary because we trace some real life on it, and because we arrange a consistency. To flee, but in fleeing, to seek a weapon.

 

 

Thanks for reading!

 

 

(thanks to Pierre Ansay – may Deleuze’s tools spread)

 

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Muses are many & Men with no imagination : Chronicle 35

Your faculty to imagine from incomplete datas

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“Let us leave pretty women to men with no imagination.”
Marcel Proust

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Muses are many

They don’t talk to each other
They eventually dance together
Without a word – always.

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Life as responses to rows of random events

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…inharmonies intentionnelles

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Faire feu de tout bois. Make fire with all woods, it’s the French way to say “Fire on all cylinders”.
(It’s funny to notice we talk about making a fire, versus… what? Going faster?)

Nietzsche said : “One must have chaos in oneself to give birth to a dancing star”.

– Different ways of saying that you blogger, like me, use EVERYTHING around to get ideas and texts. Everything.

Even a trap, a loss, a paradox, a mistake, everything.

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Every “warrior”, one by one, could die of/in his war. Even Ayrton Senna.

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“What you seek is seeking you”
Rumi

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A blog is also a reminder

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“Happiness is beneficial for the body, but it is grief that develops the powers of the mind.”
Marcel Proust

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Take your broken heart. Make it into art.
Carrie Fischer

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The naivety of thinking Art as a happy meeting of a subject and a talent
The fear of the shortest paths…

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Peter Gabriel in an interview : “It’s a different sensibility. Most bands begin, you know, playing together, and then find writing. We wanted to write, and we found playing”.

Heyy that’s a subject for an article, right? OK I’m on it.

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Did Rumi write this ? :

“The one who seeks a flawless brother stays without a brother”

Thanks for reading!

JP

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Photo : Tamas Dezso

 

2 Goddesses for the world : Chronicle 17

What if the world was ruled by two sisters Goddesses that nobody on Earth know or pray? Imagine their loneliness or their anger, their boredom, their wisdom…

 

Rilke writes that there are three ways for a passion to die :

  1. Exhaustion
  2. Transformation
  3. Substitution

 

Seeds to think about and with :

  • “When you don’t examine Belzebuth’s proposition”
  • “Dramatize tensions for lack of solving them”
  • “Something happening for itself, and not as a preparation for something to come”
  • “An obscure text, even for the author”
  • “To take an interest in what’s left on the side
  • “Something is said, showed. Something isn’t, is hidden. What if you lean on the frontier between both?”
  • “Change down a gear”. When? Where? How? Why?

 

Moon rays catchers. Who are they?

 

What kind of inner silence do you feel when someone accuses you of things you haven’t done since a long time?

 

Here are some Eluard poems translated in English :

http://poetsofmodernity.xyz/POMBR/French/Eluard.htm

 

 

 

…the fear of being forgotten

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“Consider other doors, gallivanter!”

Sometimes you’re less interested by the works than by the theories, discussions, struggles, articles and letters by those who invented it or studied it.

Imagine you’re interested in cubism, or new wave music. You can study the paintings and listen to OMD’s albums, but you could also dislike all of it, and at the same time discovering plenty of good ideas and concepts in the articles, books, letters around these subjects.

Go to France, but visit other cities than Paris. Read a poet, but not his poetry. Focus on trains when you study WWII.

So what? Well, nothing more than :

“Consider other doors, gallivanter!”.

I’d go further : choose a field you really don’t want to like (pick one : Street Art, Turkish Music, history of the Loire Castles in France, early movies of Brian de Palma, African food, or Nicolas de Stael’s paintings), and you go girl!

You could be surprised. Or find harmonic links with what you like, concepts you could apply to your discipline, or other doors to even more interesting territories.

Thanks for reading!

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