What is Third Stream? – a personal uncharted territory

What is Third Stream? Let’s ask Wikipedia :

https://en.wikipedia.org/wiki/Third_stream

“Third Stream is a synthesis of jazz and classical music.”

Critics have argued that third stream—by drawing on two very different styles—dilutes the power of each in combining them. Others reject such notions and consider third stream an interesting musical development. In 1981, Schuller offered a list of “What Third Stream Is Not”:

It is not jazz with strings.
It is not jazz played on “classical” instruments.
It is not classical music played by jazz players.
It is not inserting a bit of Ravel or Schoenberg between bebop changes—nor the reverse.
It is not jazz in fugal form.
It is not a fugue played by jazz players.
It is not designed to do away with jazz or classical music; it is just another option amongst many for today’s creative musicians.

 

I’m interested because I love classical music and I don’t know contemporary jazz very well, but I think the “melting” genre can give interesting things, I’m excited by this personal uncharted territory (as a French, I always want to write “unmapped territory”).

I think about progressive rock (who probably encroaches upon this genre). The first label I thought about was ECM, but I found Rune Grammofon too. Of course, I find everywhere the reference of Bela Bartok, who collected and used old Magyar folk melodies…

ECM, a music label

It seems that today the genre is now 100,000 streams, like the Mississippi delta, a vast complex that has been fed by countless tributaries, with other musics, ethnic, folk, etc…

Let’s Google this. I find :

This last link casts wide, for repetitive/minimal to ECM to Miles Davis or Lalo Schifrin (who wrote the Mission Impossible theme).

Well, that’s just the beginning of a new exploration!

Like each time, some branches will displease us, but with a bit of luck, we’ll find a golden one.

 

Thanks for reading!

Other options of Ran Blake, a Jazz pianist – an exploration

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I don’t like jazz that much, and I know why. I have too much empathy, and I put myself in the guy’s shoes TRYING to make his thing, I feel bad.

So, I opened my book about Jazz, page 206, randomly, to find Ran Blake, born in 1935, pianist. Never heard about him. You?

I kept him because of some elements I read : he worked with female singers, he was said to make “singular covers”, he has been a music teacher in Boston, he’s influenced by gospel, Monk, Prokofiev, Messiean, movie musics.

So here it is : I use my own method of exploration, which is to YouTube randomly around his name.

His solo piano style is very unique, with nonsense any old things invading old standards for seconds (Epistrophy), delicate memories framing ice water on broken tooth picks, suspended chords, splendid high notes, wobblings.

Comfy cool jazz is like drunk, invaded with errors, shaken memories, blurriness (Round Midnight), it’s like a dream where fast vignettes of remembrances dance around…

“Let’s Stays Together” is just delicious – though at many times you want to say “Hey, be careful!”. Walking on a string…

( see also Epistrophy : Reflections )

With Rave (trumpet) or Lacy, he brings… insecurities in mellow jazz :

This sounds like a confused memory of something we know…

The delicious fragile modulating waltz beginning and ending :

Tools here :

  1. It’s interesting to listen to someone who disturbs my tastes and tests my limits. Sometimes I say : “NO! Come on!”. Sometimes it’s just perfect. My brain begins to focus more, to think, to search, to be afraid maybe. It’s an interesting process.
  2. I discovered great singers, like Sara Serpa (which lead me to the lakes of voices of Naka Nishina), or Jeanne Lee (incredible somber voice).
  3. I have pleasure in analyze. For example, Blake loves the extreme high notes of the piano, which is rare. And one of his “tricks”, when he supports a female singer or a trumpet player, is to let the other one stay steady, like a tree. The piano player is NOT the solid base, he’s the one which wanders, which drifts…
  4. I discovered a Genre : “Third Stream“, a synthesis of jazz and classical music. This is funny because the Wikipedia article lead me to this tool of defining something by what it is not :

It is not jazz with strings.
It is not jazz played on “classical” instruments.
It is not classical music played by jazz players.
It is not inserting a bit of Ravel or Schoenberg between bebop changes—nor the reverse.
It is not jazz in fugal form.
It is not a fugue played by jazz players.
It is not designed to do away with jazz or classical music; it is just another option amongst many for today’s creative musicians.

Have fun! Thanks for reading!

Un article en français : https://www.lemonde.fr/musiques/article/2017/05/15/jazz-ran-blake-pianiste-de-passion-et-de-patience_5127752_1654986.html