In Between, a poem

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IN BETWEEN

It’s cold but warm
we walk
next to trees next to fields
My father tells me calmly
in a normal tone
he worries sick about his life
as there’s a woman
at home
(she’s fiery, insolent)
who does not exist
Not my mum
It’s day but dark, gnawing
Let’s have a walk, dad
together
in silence, but our steps
and a dog endlessly barks
muffled from a farm we don’t see
and the weeping of one lost bird
invisibly weeping but maybe just telling
something ordinary
It’s cold, but warm
I let dad think she’s real I listen
He tells me about
this unknown person
she’s strong and he feels unhappy, defenseless
he has to obey
I hum I whisper we walk
I let him I listen I watch around
we turn here now
on the mud, almost dry
along block of black trees
and in the distance colors in horizontal shades
cut immobile clouds
It’s cold, but warm
There, a first house
the village!
Let’s go home, dad
I take his arm in the dark, we’re on the road
We follow the street along
windows glimmer
Before the door he stops
and stares at my eyes

Ze French Coronavirus Chronicles, 6

Ze French Coronavirus Chronicles, 6

 

Jünger writes :

It seems that in particularly looted regions, one found refuge in arts like in lifeboats, mostly in poetry and music.

 

***

Types of confinements? Sometimes we look like prisoners of course, or castaways, shipwrecked sailors (oh I read so many books about this “type”, very curious about what they did and how), but also otakus, those people who do not want social contact at all, hermits, waldgängers

But I prefer to place myself in the role of these two guys in Jünger’s fable On the Marble Cliffs : the narrator and his brother live in a hermitage, a closed retreat, a life of refinements and quietness, with plenty of books and a garden. Outside, there’s a village and surrounding hills, “who feel increasing pressure from the unscrupulous and lowly followers of the dreaded head forester”… Brrr!

 

***

New words I discovered yesterday : bollix (but, verb or noun?), stake (but, wager, and bet??).

Each new word is like a “hole plugged” and filled, and in the same time it appears like an enigma, a radioactive element full of questions : When do people use this? What is the difference between it and its synonyms? Etc…

 

***

This epidemic made me think about Social Medias. To find informations, accounts, opinions…

  1. Facebook is useless. Who uses the search bar here? And if you find a good text from a doctor on the web, do you ask him as a friend on Facebook to follow him ? Nope. It’s just fun, voilà.
  2. Twitter is better but need constant adjustments, I love the way I find new persons and things through retweets.
  3. Reddit is great, à ma grande surprise, because it’s moderated. There you can follow a person, but you mostly follow a subject.

There are really useless and hilarious and interesting SubReddits, like /aww, /damnthatsinteresting, /kamikazebywords, /technicallythetruth, /oddlystatisfying, /birdsforscale or /catsstandingup, or /hmm.

https://www.reddit.com/r/CatsStandingUp/

 

***

I think it’s a common human law : people don’t really think, and they feel invincible. When the epidemic began to expand out of China, if you were a minimum informed you knew you had to buy some food, wash your hand, and avoid crowds.

I began to follow the /coronavirus Reddit and read accounts of young guys in Italy telling that they were mocked if they wore a mask. “It’s just a flu” will become a phrase people will remember in the future, as a symbol of hurdy-gurdy-stupidity. Today they have almost one thousand deaths per day, in Italy…

Today we hear about Spring Break parties or about guys in the world arguing like “Nobody will tell me what to do and when to do it”. These things shall pass, for two reasons :

  1. Stupidity and not listening, with consequences (maybe regrets)
  2. “No Choice”, sadly, with consequences too

When in India or Mexico or Africa we have confinement, people have to go out because they are not paid if they don’t work, or they massively move to go home (which is far elsewhere), or it’s so crowded in cities that when you go erranding, you’re packed, want it or not.

 

***

In the constant irony of life, there’s religion. In many place on the planet – and each one has its own “God”, right? – religious gatherings lead to explosions/disseminations of cases, therefore deaths. Very curious to see this range of religious or conservative milieus – because what? Hmmm. Example in France :

https://www.reuters.com/article/us-health-coronavirus-france-church-spec/special-report-five-days-of-worship-that-set-a-virus-time-bomb-in-france-idUSKBN21H0Q2

 

 

Thanks for reading! Stay safe!

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Have a nice day! Stay safe!

 

Postmodern Short Stories in America?

Hmm Postmodern Short Stories in America? That’s a good title, right?

I always loved short stories of the USA, and in my life I read a lot of these – I remember Faulkner, Salinger, Carver, but also Fitzgerald, William Goyen, Flannery O’Connor, Edith Wharton. I bought and didn’t read K. A. Porter, and in English – which is difficult for me – W. Cather, or more Raymond Carver…

Finishing the David Lodge autobiography, I found these three names : Brautigan, Barthelme and Coover, as postmodernists. Puzzled, because I know Brautigan a bit, I googled and found this subject : Postmodern Short Stories in America.

So, I did a little search and found this (I bolded the bold) : “The history of the short story in mid-twentieth century America continues to be marked by a tension between the twin fictional poles of realism and romance, the story of accurate ‘reportage’ and the story of fantasy and imagination.”

Thus :

“The short story also encourages a reflexive self-consciousness about literary form, a propensity to build into the story a commentary on itself – and a mingling of genres and registers.”

THIS is interesting, right?

Because, what is “postmodernism”, after all, now we’re… after that?

Wikipedia is a messy mess, look what I’ve found :

Skepticism, irony, or rejection of the grand narratives and ideologies of modernism, self-referentiality, epistemological and moral relativism, pluralism, and irreverence.

Let’s dig :

  • John Barth is said parodic, “The process of making a novel is the content, more or less.”
  • Donald Barthelme, “…experimental, he avoids traditional plot structures, relying instead on a steady accumulation of seemingly unrelated detail. Subverting the reader’s expectations.”
  • Robert Coover, magic realism, self-referentiality.
  • William H. Gass, the stylist : “His prose has been described as flashy, difficult, edgy, masterful, inventive, and musical.”

 

See why I’m intrigued?

Do you know some of them?

 

Thanks for reading!

 

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Ze French Coronavirus Chronicles, 5

Ze French Coronavirus Chronicles, 5

There’s one newsletter I follow, more professional, by the MIT, it’s here :

https://forms.technologyreview.com/coronavirus-tech-report/

***

Watched a duo, great movies : The Post (Spielberg – 2017), and All the President’s Men (Pakula – 1976), same newspaper (Washington Post), same executive editor (Ben Bradlee, by Tom Hanks and Jason Robards). Interesting concepts (freedom of the press, sources, decisions, investigation methods), strongly increased by this pleasure : comparison between the films. The bonuses on the Blu-rays are fantastic!

When the pleasure is in the comparison

In a way, the second movie is the following of the first, though it’s been directed 40 years before. I LOVE to couple movies, like Fellini‘s 8 1/2 and Allen‘s Stardust Memories. It can be a remake, or a ‘connected’ film – which is the case here.

***

When I was a teenager I suddenly understood why music was so… pleasantly toxic to me sometimes, with Ennio Morricone or Mike Oldfield for example. I know people love music for different reasons – energy, memories, genre, a voice, virtuosity, lyrics. My reason is the pleasure given by modulations.

I found an article in French, you don’t have to read it, just click on the two YouTube movies. The guy gives examples of typical “Floating Harmonies” invented by John Williams in Harry Potter or Indiana Jones. It’s here : https://compositiondemao.com/harmonies-flottantes/

You have have an… unexpected torsion in the middle of it, before it goes back to normal.

Williams does this all the time, it brings magic to a melody, therefore you can’t forget it. The Vader (The Imperial March) theme is based on this trick :

On this page ( https://www.leandrogardini.com/single-post/2017/02/12/The-Williams-Modulating-Themes ) , watch the Minority Report (first movie). His “Floating Harmonies” decisions make him modulate the melody (at 0’56”, 1’45”, 2,07″).

This makes me think that Morricone and Williams are the best movie music composers. This makes me adore Joni Mitchell, Mike Oldfield, Abba, Röyksopp, or… Puccini!

  1. Modulating Solos : The Pat Metheny Swervy Syndrome
  2. The Strong Liquors of Dissonances
  3. “Pick the Quarter Best”, a Quincy Jones pattern
  4. Passages, Modulations, Transitions
  5. The Abba/Puccini syndrome

Of course I’m interested in… what would be a modulation elsewhere, in poetry or architecture, literature or blogging…

***

So I read that Miles Davis is the Pablo Picasso of Jazz, like Federico Fellini is the Picasso of movie makers. If you’re bored, this is a trio : there’s material here for a couple of months.

***

Agnes Obel, again. In the vast terrible ocean of soft female voices with a piano, she’s with her cousin Vienna Teng. Here she sings with a male voice (which is herself with treatments), it’s delicate and sophisticated, and I love the mysterious lyrics…

Hmm, there are floating harmonies here, right?

For our love is a ghost that the others can’t see

***

My godfather passed on this week. It is a mess for the funeral (only 20 persons allowed). He was in his nineties, and he sometimes talked to me about when he was a kid when Germans occupied his village, the coming of the Americans after the D-Day in the summer of 1944. My father was an orphan when he was a little boy, and Ernest was next to him for years to help…

He’s the guy on the bike :

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Thanks for reading! Stay inside!

JP

Bloggers/Writers : Let it rest!

Bloggers/Writers : Let it rest!

I read an interview of Arcadi Volodos, a pianist.

He says that when he works on a record, he makes it during the night. When it’s done, the tapes are abandoned for a few weeks.

Then he listens to them, weeks later, with a new ear. Sound montage, then? The less possible.

When you write on something, it must flow. The beginning is sometimes hard, but then, here you go! When it flows, it’s so good, right?

Si vous pataugez dans la semoule (if you “wade in semolina”), you get nowhere (fast or slow). Let it rest, then. Forget it. Write some else. Go for a walk (these times : around your room).

Drafts are gold. Forget about all of them. Let them rest. For weeks.

One day you open something, you…

  1. wade in more
  2. have a spark

 

I don’t know how it works. Maybe you have a new eye and you wonder how you could be stuck like that. Maybe it’s magic. Maybe your brain works alone when you sleep, haha. The reason why it works sometimes is a mystery, there you and me don’t care about it. So there.

 

Have fun!

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