Treating the Fringe

When you work, there are often two parts :

  1. One part you have to deliver – and you’re paid for it. It’s the “main thing”, your job.
  2. There’s another part, where you treat yourself, or where you treat your audience…

 

“you offer them a treat” : what’s that word which is a noun and a verb? What’s that verb which sounds positive and lovely to me, and at the same time which need “well” at times : to treat well…

Question : does “to treat” contain “to treat well”, “to give pleasure”, or not?

 

It’s a two-parts-pattern all creative people know well.

If you’re a teacher and you have to teach a complicated maths lesson for 2 hours, if you’re a director and your job is to make a film to promote a train station, if you order books for a library, etc :

  1. you can do it the normal, proper way
  2. you can do it in a splendid inventive way
  3. you can play a cursor between both

 

This “3.” is interesting. How do you do it?

  1. Do you begin with pleasure and complexity aimed to an intelligent marginal group, THEN you add elements to help others to stay on the road?
  2. Or do you build the average normal job, then hide smart elements to be seen and guessed by the clever fringe?

 

If your fringe becomes too large, you’re elbowing them, good to you, but you lose the next one, who will look at you as a smart arse : not good, right?

On the other side, if you treat yourself with too much subtlety, it becomes a “private pleasure hidden, just for you”. And why not? :

Luxury is insular

 

Overthinking over it – two examples :

I talked with a friend who, in a way, complained that when you work and you add great and complicated elements on purpose, for the pleasure of resolving them (for example, a sequence-shot when you direct a movie), only a few percents of the audience will catch it (moreover : to find where to put the cursor is a mess).

Pablo Picasso explains that when he works on a complicated project for a cubist painting, he has to develop very subtle and complex balances, colors, masses, energies, frames, etc… This, as the core of his Art.
Then he adds little easy elements (like a necklace or a moustache) and then names the painting accordingly. This to… guide or please the unschooled, while the connoisseur will see the real purpose…

 

Thanks for reading! Have a great sunday!

JP

 

Arlequi-pablo-Picasso.jpg

Advertisements

Decision : Is today the day after yesterday or the day before tomorrow?

Is today the day after yesterday or the day before tomorrow?

You can now take this little idea-stick and use it for concepts. Let’s do it with decisions.

As all we have is the “now”…

There are two types of persons, those who think in little simple boxes and let themselves trapped by words, and those who know life’s complex and moving. The first category can be divided in

  1. Therefore, most of wise-asses will stand up and pompously claim that “Haha, today is the day before tomorrow!!” – they make decisions watching the future.
  2. Some other saddened sad-pants will mourn and stop, watching the past only, the yesterday. They are mocked by 1.

 

Of course, my article would like to show that we need the past and the future to make decisions.

Considering the yesterday is drawing maps, spot mistakes to avoid, increase intelligence, preparing lines towards the tomorrow, inventing goals, foreseeing paths, inventing propositions. Tango!

…inspiration coming from appropriation of experience…

01.jpg

 

Have a nice day!

IMG-20160324-WA0026.jpg

“I spy… with my little eye… an anted ant & a dotless ladybug…”

I spy…

with my little eye…

 

an anted ant & a dotless ladybug,

a thoughtful dragonfly,

a cannon & an adorable farmer,

and a splendid rose, who’s alone…

 

Ant on leg is like a part of her other – henceforth, they’re one, forever.

Ladybug is one of her kind : her dots are in her mind.

Cannon has wheels, moves, loves and will protect headscarfed lady.

Dragonfly likes the soft clouds, today – she smiles and flies to the sky!

Rose doesn’t watch the grey wall neither the death around : she is happy and all pretty.

 

 

 

Thanks for reading!

JP

 

IMG_2126IMG_3054IMG_3063IMG_2607IMG_2611IMG_2323

“What do we displace, today, dear?”

There’s a French/English problem with the word “Translation” :

In English, you use the same word to translate a word (in a language to another language) AND to translate in geometry (which “moves every point of a figure or a space by the same distance in a given direction”).

In French, “to translate a word” is Traduire, and “to translate geometrically” is Translater. Which becomes for nouns : Une Traduction / Une Translation.

 

I had fun one day writing an article about concepts translations, which is, for example, to pick an architecture concept (“the door”, “the archway”) and to use it in another discipline (in poetry, in photography, or teaching).

“Displacing Concepts” : from Architecture to Poetry ?

 

I admit my brain is in some places connected like that : as soon as I notice a structure, I want to extract it and play with it around, in… another discipline.

  • The idea of verse in poetry would become interesting in photography.
  • The form “sonata” in music is maybe something in architecture.
  • Etc.

 

Today I take my magnifier and I realize we could do this “exercise” with other things than concepts.

  1. Methods
  2. Models
  3. Invention
  4. Team
  5. Supervision
  6. Training exercises types
  7. Risks
  8. Out of the box thinking
  9. Paradigm changes
  10. Etc

 

I know someone who studied how music pedagogy could be useful to language learning. That’s a fantastic idea!

Now this is a subject for an afternoon conversation, right?

If you don’t have a partner for that, read some prefaces or thinkers’ interviews, find the seeds and patterns, and apply them elsewhere.

What is impressionism (art) in teaching? What is a corridor (architecture) in marketing campaign? What is a fade to black (movie editing) in poetry? What can a street photographer bring to a lecturer? Etc.

Have fun. Thanks for reading!

IMG_2032.jpg

Do your shopping/Take your pick

There’s always one moment in a month when you want to metablog.

 

Yesterday I discovered somebody read about sixty pages of this blog, and I wondered :

What did they find?

…painters & photographers, haikus, quotes, small ideas : Unexpected Connections & Sparks Exchanges – I even made a List of Sorts of Blog Articles

It seems “constantly random”, but my followers know there’s a structure under. Therefore I metablogged about it :

 

My sweet will is to share, to invite you to pick tools and ideas, then share again. These are not my ideas, but good ones I found which are worth spreading. Well… I think so!

 

Dreamread, take your pick. Find an ideatool and use it another way. You’re invited to do your shopping here. Explore more. Use my blog as a table of content. Stealfind what I wanted to say. Bendfind what I didn’t say (and tell it back to me, thank youuuu).

What I like the most, probably, is :

When an idea you find in a blog, in a book, in a conversation, recombines with other ideas you have in mind at the moment.

 

Recombining. That’s the subject of another article, right?

 

 

Thanks for reading!

 

Largegdce.jpg

IDM & Math Rock

Hi everyone, I discovered the word “IDM” yesterday (stands for “Intelligent Dance Music“) and it made me think of this idea of “Math Rock“. Let’s ask Wikipedia about this one :

Math rock is a style of indie rock that emerged in the late 1980s in the United States, influenced by post-hardcore, progressive rock bands such as King Crimson, and 20th century minimal music composers such as Steve Reich. Math rock is characterized by complex, atypical rhythmic structures (including irregular stopping and starting), counterpoint, odd time signatures, angular melodies, and extended, often dissonant, chords. It bears similarities to post-rock.

This definition is enough to put a big smile on my face. Crimson and Reich, wahhhh!

  1. https://en.wikipedia.org/wiki/Math_rock
  2. https://en.wikipedia.org/wiki/Intelligent_dance_music

 

When I think about Math Rock I think about the groupe Battles. Atlas indeed is like crazy crimsonian :

 

Yes, if you listen to Crimson fury after that, you’ll find the links. And there’s fun in listening to the parts (the guitars weaving, the crackling drums, the bass…) :

 

OK if you’re in the mood you can Google “best math rock albums” or “best intelligent dance music albums”. And get a headache?

 

So let’s extract the pattern : In a field, there’s a movement named “math something” or “intelligent something” by the public, which shows a creative complexification of a field.

(Yeah some’ll think it’s all “elitist and derogatory towards other genres” – so there!)

What if you “mathed” something? Intelligent poetry? Math marketing? Photography? Love? What is this :

“complex, atypical rhythmic structures (including irregular stopping and starting), counterpoint, odd time signatures, angular melodies, and extended, often dissonant, chords”

…applied to teaching, writing, sex, blogging, or business?

Is there a way to grow, blossom and climb, propelled by intelligence instead of brute force and traditional tools?

Etc…

 

Thanks for reading!

art 384.jpg

Needling each other : Chronicle 51

When synthesizers came, many musicians were amazed because “it can mimic any other instruments!”. But of course some guys began to use them for their own possibilities. Isn’t there a tool here?

When something new comes, use it as a tool to go elsewhere and explore, instead of planting it in the old soil – though it could work too, right?

_____

Fraternity between those who don’t play the game.

_____

Oblivion makes you disappear. Fame imprisons in a genre.

_____

Some loss of balance can lead someone to go through their ideas.

_____

Some police investigators are just logical and thorough. Some others have diagnostical impressionism : they have a “clinical sense” which is continuously plugged to the world and human beings…

_____

Rain is happy to meet grass
Grass is happy to meet rain

Claude Roy

_____

What helps us in friendship is not much the help that friends give us, but the trust we have in this help.

____

What is the height of distress, or hardship? To not be surprised by anything.

_____

Maskenfreiheit, the freedom of the mask

_____

The Five Obstructions, Lars von Trier and Jørgen Leth, 2003

In this underrated film the iconoclastic Danish director Lars von Trier challenges experimental film-maker Jørgen Leth to remake one of his earlier films, The Perfect Human, five times, each time with a different creative constraint. The first “obstruction” imposed by von Trier, for example, was that the film had to be made in Cuba, using shots of no more than 12 frames. Another was that it had to be made as a cartoon. It’s basically these two creative egos going up against each other and it gives a fascinating insight into the film-making process, what goes on in a director’s head and how you cope with stress and constraint and challenge. It’s delicious and playful and there’s never a dull moment watching these two maestros needling each other.

Who will you ask to obstruct your work? What for?

Thanks for reading!

IMG_0987.jpg