I like this guy. He’s a good surrealistic artist. Not too disturbing, but yet… No toxic genius, but yet… He’s amazing, though!
It’s a very strange balance in me. Something’s lacking, yes – but it also makes me feel “I want to follow this guy, he’ll surprise me more in a few years”. He’s good enough to make you want to see more, and more, etc. My left eyebrow doesn’t climb, but I have a good smile, and curiosity. Thank you!
on the temple bell.
on a bough, floating downriver
William Carlos Williams, recalling his first viewing of Marcel Duchamp’s Nude Descending a Staircase : “I burst out laughing from the relief it brought me! I felt as if an enormous weight had been lifted from my spirit for which I was infinitely grateful”.
Art advance can open paths for other arts. If you’re interested you’ll study the links between WC Williams and Duchamp. BUT you even don’t have to, to activate some ideas.
Duchamp’s abstraction is about decomposing the movement, of course, but there’s also a game with the title. If the title was “XY-56”, your mind wouldn’t have been engaged the same way, right? What would be the same in poetry? What can this bring to a poet? A game with a title? A decomposing symbol/word/frame process? A sense of freedom, and daring?
Whenever you feel stuck or not, it could be interesting to explore “other fields”. Maybe if you’re a musician you should study avant-garde architecture, and if you blog, maybe you could read about strangeization? You’re a manager? Why wouldn’t you read anthropology, then?
Thanks for reading!